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Gabriele Comeglio: The Journey
by Angelo Leonardi
In un ruolo più appartato rispetto a jazzisti italiani della generazione precedente, divenuti celebri anche al grande pubblico, Gabriele Comeglio ha svolto continuative esperienze anche nella musica leggera, producendo ed orchestrando numerosi dischi di Mina, collaborando con Battiato, Dalla, De Gregori, Daniele, Antoniacci e altri, scrivendo musiche per teatro, cinema e televisione. La sua carriera di professionista nel mondo del jazz è iniziata nei primi anni ottanta dopo il diploma alla Berklee School di Boston e tre lauree ...
Continue ReadingFranco Ambrosetti: Sweet Caress
by Alberto Bazzurro
Il rapporto fra jazz e archi è sempre stato piuttosto tormentato. A ottant'anni suonati (è nato nel dicembre 1941 e l'incisione data dicembre 2023, quindi 82 giusti giusti) ci casca anche un musicista glorioso come Franco Ambrosetti, che confeziona un album che verrebbe quasi da definire “pomicioso" (fin dal titolo), a dispetto dei musicisti coinvolti nella band in quanto tale (string orchestra esclusa, quindi). Otto i brani, per metà del trombettista (qui flicornista) ticinese, che suona ovunque benissimo, ...
Continue ReadingFranco Ambrosetti, Dánae Olano, The Ize Trio, Meg Okura and Kevin Hays
by Cheryl K.
During this week's two-hour program of Jazz and improvised music--Swiss trumpeter Franco Ambrosetti, Cuban jazz pianist and composer Danae Olano, the Boston, MA-based collective The Ize Trio, and Tokyo-native violinist Meg Okura and American jazz pianist Kevin Hays. Playlist Juhani Aaltonen “Farewell to Valomäkie" from Kirkastus (TUM) 6:49 Franco Ambrosetti “Habanera" from Sweet Caress (enja) 7:41 John Lamkin II “Homage" from Movin' (John Lamkin II) 6:04 Bria Skonberg “Petit Fleur" from What It Means (Cellar Music Group) 4:35 ...
Continue ReadingFrank Ambrosetti & Strings: Sweet Caress
by Dan McClenaghan
Swiss flugelhornist/trumpeter Franco Ambrosetti teamed with pianist/arranger Alan Broadbent in 2022 for the exquisite Nora (Enja Records), a top-shelf orchestral jazz album with a core group of mainstream all-stars. Listening back to the history of the 'jazz with strings' sub-genre--the shot across the bow, Charlie Parker With Strings (Verve, 1950), followed in short order by Chet Baker with Strings (Columbia, 1953), Clifford Brown with Strings (Verve, 1955)--Nora could be considered a leap forward in terms of the richness of the ...
Continue ReadingDino Betti van der Noot: Here Comes Springtime
by AAJ Staff
There are some musicians whose instrument is the orchestra. They hear multiple voices, textures, harmonic designs. And if they are jazz composers, they hear the sweet and pungent tension between the orchestra and the improvising soloist. If, moreover, they are composers interested in more than self-gratification, they hear, as they write, particular players so that the ultimate scores reflect a range of individual personalities, each of them telling their own stories as well as that of the composer.
Continue ReadingFranco Ambrosetti: Nora
by Dan McClenaghan
Franco Ambrosetti's album is called simply Nora. Short and sweet, four letters, two syllables. But it could easily have been called “Franco Ambrosetti with Strings," as the Swiss flugelhornist & trumpeter follows the orchestral path of alto saxophonist Charlie Parker and his groundbreaking Charlie Parker With Strings (Verve, 1950), trumpeter Chet Baker's Chet Baker with Strings (Columbia, 1953) or trumpeter Clifford Brown's Clifford Brown with String (Verve, 1955). Those early forays into orchestral jazz set the template of ...
Continue ReadingFranco Ambrosetti: Lost Within You
by Chris M. Slawecki
Lost Within You is a masterpiece of smoldering passion and beauty ignited by the exquisite trumpet and flugelhorn melodies of Franco Ambrosetti. Ambrosetti assembled an enviable ensemble: bassist Scott Colley and drummer Jack DeJohnette in the rhythm section, plus guitarist John Scofield, and Renee Rosnes and Uri Caine switching turns as pianist. But the star of Lost Within You is Ambrosetti's haunting, delicate and graceful sound, revealed in one masterful ballad after another. “Miles Davis was ...
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