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Tyshawn Sorey: Members... Don't!
by Troy Dostert
One of the most welcome developments in twenty-first century jazz has been drummer Tyshawn Sorey's enthusiastic turn toward the jazz canon. While he had already established himself convincingly as one of the premier figures in creative music on immersive, challenging works such as The Inner Spectrum of Variables (Pi Recordings, 2016) and Verisimilitude (Pi Recordings, 2017), when Sorey decided to begin his idiosyncratic interrogations of classic jazz repertoire it opened up new facets of his musical identity, especially as an ...
Continue Reading...Tyshawn Sorey: Members... Don't!
by Mike Jurkovic
Pulitzer Prize-winning, MacArthur Fellow Dr. Tyshawn Sorey may not remember 1968 directly, since he was born in 1980, but he most certainly and unapologetically understands how angry that year was. And he has captured that fiery time with an epic reimagining? rethinking? rebooting? double take of Max Roach's epic telling of that year after the Summer of Love, Members, Don't Git Weary (Atlantic, 1968) Recorded live at the tail end of a four-day stay at the Jazz Gallery ...
Continue Reading...Album Review
Ingrid Laubrock: Purposing the Air
by Vincenzo Roggero
Avventuroso e ambizioso Purposing the Air, nuovo progetto di Ingrid Laubrock, notevole sassofonista di origini tedesche qui nelle vesti di compositrice. Dal poema Mood Librarian -a poem in koan" di Erica Hunt, ha estratto sessanta frammenti, trenta nel primo CD e trenta nel secondo, affidandoli a quattro duo dove l'elemento fisso è la voce mentre la strumentazione si distribuisce tra violoncello, pianoforte, chitarra elettrica e violino. I sessanta frammenti-miniature-koan, alcuni di due sole parole, riportati nel dettagliato libretto interno, risuonano ...
Continue Reading...Ingrid Laubrock: Purposing The Air
by Thierry De Clemensat
Purposing The Air is a recording of extreme quality, though it is undoubtedly aimed at an informed audience, one more inclined toward contemporary classical music. While some pieces carry faint echoes of jazz, listening to this album is akin to stepping into a museum to attend a recital. Each artist is striving for excellence on every level: musicality, interpretation and even theatricality. It is, without a doubt, a powerful creation. To fully grasp the artistic approach behind this ...
Continue Reading...2024 in Review
by Jerome Wilson
This show reviews my favorite jazz releases for 2024, including new recordings and newly discovered older concert performances. Artists heard on the show include Fay Victor, Darius Jones, Ron Miles, Frank Carlberg, and David Murray. Playlist Henry Threadgill Sextett I Can't Wait Till I Get Home" from The Complete Novus & Columbia Recordings of Henry Threadgill & Air (Mosaic) 00:00 Charles Lloyd Beyond Darkness" from The Sky Will Still Be There Tomorrow (Blue Note) 1:08 Tomasz Stanko Quartet ...
Continue Reading...Album Review
Miles Okazaki: Miniature America
by Alberto Bazzurro
Ventidue miniature svarianti da uno a sei minuti, con impegnati sottoinsiemi (o microgruppi, se preferite) estrapolati dal totale dei dieci elementi, sette strumentisti e tre cantanti, coinvolti nell'operazione, è quanto ci offre questo nuovo lavoro discografico (il dodicesimo, ci viene detto) a nome del cinquantenne chitarrista Miles Okazaki, con la partecipazione di svariati musicisti di punta dell'attuale scena newyorchese (e non). Ogni episodio possiede--fisiologicamente, verrebbe da dire--un aplomb cameristico di sicuro fascino, anche se è inevitabile che il ...
Continue Reading...Fay Victor / Herbie Nichols SUNG: Life Is Funny That Way
by Jerome Wilson
The jazz world overlooked pianist and composer Herbie Nichols in his lifetime, but musicians such as Roswell Rudd, Misha Mengelberg, and Ted Nash have tried to keep his music in circulation over the years in various projects. Vocalist Fay Victor has been entranced by his music for a long time, and in 2013, she put together a group, Herbie Nichols SUNG, to perform his tunes. This is that group's first recording together and it is excellent. In most ...
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