Jazz Articles about Evan Gregor

About Evan Gregor

Album Review

Erica Seguine/Shon Baker Orchestra: The New Day Bends Light

Read "The New Day Bends Light" reviewed by Jack Bowers

by Jack Bowers
June 2, 2023

The New Day Bends Light, the debut recording by the twelve-year-old Erica Seguine/Shon Baker Orchestra, is interesting on a number of levels, not the least of which is emotional. The leaders and their twenty-one piece ensemble are clearly committed to the music and do their best to breathe life into each of the album's seven numbers, three of which were written by Seguine, three by Baker and the other ("Ose Shalom") by Nurit Hirsh. Aside from that, there is the ...

Liner Notes

Jennifer Wharton: Not a Novelty

by Dan Bilawsky
March 3, 2023

The eponymous debut from Jennifer Wharton's Bonegasm broke the mold. There are no two ways about it. And while some may look at a statement like that and cry hyperbole, history begs to differ. With rare exception, the bass trombone—a horn forever typecast as an anchor—has been marginalized. So the idea of an ensemble featuring that denizen of the depths—a band playing music specifically commissioned to hinge on it, highlight it, and showcase the playing of one of its foremost ...

Album Review

Yu Nishiyama Big Band: A Lotus In The Mud

Read "A Lotus In The Mud" reviewed by Angelo Leonardi

by Angelo Leonardi
November 21, 2022

Una giovane e talentuosa bandleader aggiorna la tradizione delle grandi orchestratrici del Sol Levante, da Toshiko Akiyoshi a Miho Hazama. La musica presente nel debutto di Yu Nishiyama va oltre un puntuale modern mainstream per big band ma colpisce per la fantasiosa scrittura, caratterizzata da percorsi ricchi di svolte, tra aristocratici contrasti timbrici, poderosi ensemble e trascinanti interventi solisti. Una visione orchestrale matura, ricca di tensione e dalla bella carica spettacolare. Trasferitasi da Yokohama negli Stati Uniti ...

Album Review

Ben Markley Big Band: Ari's Funhouse

Read "Ari's Funhouse" reviewed by Jack Bowers

by Jack Bowers
May 15, 2022

Ari's Funhouse, recorded in July 2021, sprang from a chance encounter at a Texas jazz festival in 2019 between New York-based drummer & composer Ari Hoenig and Denver-based pianist & arranger Ben Markley. After performing with Hoenig in a small group, Markley asked if he might score some of Hoenig's songs for a big band. Hoenig readily agreed, and after a lengthy Covid-induced pause, he and Markley's band finally met face-to-face in Denver to record the album. Two things are ...

Album Review

Jennifer Wharton's Bonegasm: Not A Novelty

Read "Not A Novelty" reviewed by Dan McClenaghan

by Dan McClenaghan
May 25, 2021

The trombone came into its own as a lead and solo instrument in jazz on the shoulders of J.J. Johnson, in the early days of bebop. His Four Trombones: The Debut Recordings (Prestige, 1953) celebrated the big brass instrument with three fellow 'bone men--Kai Winding, Bennie Green and Willie Davis, all joining Johnson in a four man front line. Now Jennifer Wharton presents a four trombone summit of her own with Not A Novelty, the second outing of her group ...

Album Review

Jihye Lee: Daring Mind

Read "Daring Mind" reviewed by Jack Bowers

by Jack Bowers
March 31, 2021

Korean-born composer Jihye Lee is a musician who knows her own mind, whether it be relentless, unshakable, revived, dissatisfied or Daring, as on her second recording for Motema Records. In 2018, Lee earned the prestigious BMI Charlie Parker Composition Prize for “Unshakable Mind," one of nine diverse themes presented here. Another, “I Dare You," is loosely based on Wayne Shorter's response when asked, “What is jazz?" It is a question Lee must also address, as her music is not only ...

Album Review

Jihye Lee: Daring Mind

Read "Daring Mind" reviewed by Angelo Leonardi

by Angelo Leonardi
March 31, 2021

Solo un talento eccezionale come Jihye Lee poteva ottenere risultati così brillanti e personali nel campo dell'orchestrazione jazz partendo quasi da zero. Nata a Seoul ed emigrata negli Stati Uniti da adolescente, quando s'iscrisse al Berklee College conosceva pochissimo il linguaggio musicale afro-americano e per niente la sua dimensione orchestrale. Dopo un decennio, studi di perfezionamento alla Manhattan School of Music col grande Jim McNeely (a cui va riconosciuto parte del merito) e un primo eccellente debutto (April, 2017), la ...