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Jazz Articles about Emil Strandberg


About Emil Strandberg

8

Album Review

Vilhelm Bromander: In This Forever Unfolding Moment

Read "In This Forever Unfolding Moment" reviewed by Chris May


Ornette Coleman's haunting “Lonely Woman" is becoming something of a 2023 soundtrack. At the time of writing, we have had memorable versions from Kahil El'Zabar's Ethnic Heritage Ensemble on Spirit Gatherer (Spirit Muse), and Kurt Elling and Charlie Hunter on The Iridescent Spree (Edition), plus another couple of efforts about which the less said the better. Here comes a third boss edition. Sort of. “Låt Våra Tårar Bli Våra Vapen," which opens side two of Vilhelm Bromander's ...

6

Album Review

Viktor Skokic Sextett: Basement Music

Read "Basement Music" reviewed by Mark Corroto


Basement Music, the title of bassist Viktor Skokic's premiere as a band leader, refers not to the social isolation of the 2020 global pandemic, but to the sites of his compositional efforts. Written in his basement, and recorded prior to the lockdown, the music is actually the converse of social distancing—'converse' as in conversation. His 'Sextett' navigates some precarious and complicated directions, such as the album's opener “Tre." Constructed as a puzzle with odd-shaped pieces, the music favors sharp turns, ...

9

Album Review

Emil Strandberg: More music for trumpet, guitar and bass

Read "More music for trumpet, guitar and bass" reviewed by Eyal Hareuveni


Swedish trumpeter Emil Strandberg continues to explore the format of an intimate, acoustic trio. He began in 2012 with a self-titled trio of double bassist Pär-Ola Landin and drummer Sebastian Voegler (Self Produced, 2012) that covered standards, continued in 2013 with pianist Sten Sandell and double bassist Patric Thorman in It Is Night and I am Lost (found You Recordings, 2013), a set of free improvisations, and again in the same year with a Ola-Landin and guitarist David Stackenäs in ...

4

Album Review

Emil Strandberg: Works

Read "Works" reviewed by Eyal Hareuveni


Works is the first album containing compositions by Swedish trumpeter Emil Strandberg. But this is also a highly collaborative work. The set of subtle and nuanced compositions for a chamber, acoustic trio stress an intimate dialog between the three musicians. The musical expression is equal to sensitive listening and always examines its own formulation, its sound, its timbral qualities, and how it resounds. Strandberg collaborates here with two like-minded musicians--acoustic guitarist David Stackenäs with whom he plays ...


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