Jazz Articles about Eddie Gomez

Gabriel Vicens: Point in Time

by Dan Bilawsky
March 30, 2012

When Berklee beckons, most aspiring jazz musicians pick themselves up and trek to Boston to further their studies, but guitarist Gabriel Vicens isn't most people. While the young guitarist had a scholarship lined up at that venerable learning institution, he opted to stay in his native habitat and study at the Music Conservatory of Puerto Rico. Over the course of his years there, Vicens developed a distinct tone that cuts, yet remains warm, round and focused. He also created a ...

Gabriel Vicens: Point in Time

by Andrew J. Sammut
March 16, 2012

Gabriel Vicens brings together simpatico colleagues from the scene in his native Puerto Rico and beyond to explore twelve of his works on the guitarist and composer's debut, Point in Time. Vicens' compositions explore quirky, catchy heads ("Point in Time," “Beautiful Place"), plenty of vamps ("La Diferencia," “Frame of Mind" and “El Camino") and medium tempo grooves blending straight-ahead and Latin rhythms ("El Comienzo," “Cuadro"). He also includes brief, abstract introductions to several tunes by one to two players.

Eddie Gomez: The Playing is Free

by Donald Elfman
May 20, 2010

Eddie Gomez is known throughout the world as a consummate bassist, sterling educator and a musician active in a wide variety of musical settings. He has been on the music scene for more than 40 years and has worked with everyone from Bobby Darin to Giuseppi Logan. Gomez moved from Puerto Rico as a child and was playing music from an early age. He came to prominence when Bill Evans asked him to be the bassist for the pianist's trio, ...

Eddie Gomez: Duo & Trio

by Ken Dryden
August 2, 2009

Jeremy Steig & Eddie Gomez Outlaws Enja 2009 Great Jazz Trio Chapter II Test of Time 2009

Eddie Gomez has long been one of the most valuable bassists in jazz, especially after his 11-year stint in the Bill Evans Trio. After leaving Evans in 1975, he was quite active on record dates, including his unusual ...

Paul Bley: Barrage

by Lyn Horton
January 5, 2009

Recorded a year earlier than the previous ESP re-released Paul Bley Trio session, Closer (ESP Disk, 2008), Barrage takes an approach that tends toward the frenetic. In fact, judging from the very beginning of the record when the trumpet and sax synchronize in a group of short phrase spurts ("Batterie"), the music seems to deconstruct bebop, go on diverse tangents and then conclude in a synchronous reprise. Such a pattern exists throughout all of the pieces on the record.

Paul Bley Quintet: Barrage

by Jerry D'Souza
November 20, 2008

Pianist Paul Bley recorded two albums for ESP Disk. The first was Barrage in 1964, the second was Closer in 1965. On the first Bley used Marshall Allen (alto sax), Dewey Johnson (trumpet), Eddie Gomez (bass) and Milford Graves (percussion). The latter was a more intimate outing with Steve Swallow (bass) and Barry Altschul (percussion). If there was a common thread besides Bley, it was the use of compositions by Carla Bley. Barrage was devoted completely to her music and ...

Eddie Gomez: Playing Well with Others

by Tom Greenland
December 3, 2006

Eddie Gomez & Mark Kramer Art of the Heart Art of Life 2005 Lenny Popkin, Eddie Gomez & Carol Tristano New York Moment Lifeline 2005 John Abercrombie & Eddie Gomez, with Gene Jackson Structures Chesky 2006

If NYC's own, bassist Eddie Gomez, got ...