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Ornette Coleman: Genesis of Genius: The Contemporary Albums
by Jeff Kaliss
For many an Ornette Coleman devotee, devotion was pledged with the singular saxophonist's The Shape of Jazz to Come (Atlantic). It was recorded in May and released in November of 1959, and it's a matter of when in our life we caught up with it. For some of us, that's when we first felt liberated by jazz. That album, produced by Nesuhi Ertegun, remains a hard act to follow, even for Coleman himself. Or to precede. But Hollywood ...
Continue Reading...Something Else!!!!
by C. Michael Bailey
Robert Louis Stevenson noted that, The mark of a good action is that it appears inevitable in retrospect." The middle-to-late 1950s in jazz were populated with several good actions," all considered inevitable evolutionary reactions to earlier genre, specifically swing and bebop--the latter the complex and elevated jazz style that had dominated the creative American musical structure the decade before, and, to some degree has done so since. These unfolding styles included hard bop--perhaps the most direct descendant of bebop; modal ...
Continue Reading...Ornette Coleman: Something Else!!!! - The Music Of Ornette Coleman
by AAJ Staff
Here it is: Ornette's first recording, containing his most conventional compositions, one ("The Blessing") written in 1951. Even so, it came only after a long period of struggle ("...most musicians didn't take to me; they said I didn't know the changes and was out of tune.") He was an elevator operator in an L.A. department store; he'd take the elevator to the top floor and practice for hours. He was about to return to Forth Worth when Red Mitchell heard ...
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