Jazz Articles about Dominique Eade

Dominique Eade: The Long Way Home

by Jack Bowers
May 1, 1999

The review in a moment. First, the nit–picking. When a singer has such first–class material as “Let’s Take the Long Way Home,” “Baltimore Oriole” or even “Anywhere I Wander” to choose from, why would he or she open an album, as Dominique Eade does, with something as hackneyed as Elton John / Bernie Taupin’s “Come Down in Time”? If you have a logical answer, drop me a line. I can’t figure it out. Perhaps she intended to pave the way ...