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Hyeseon Hong Jazz Orchestra: Things Will Pass
by Jack Bowers
There are a handful of things you should know about Hyeseon Hong (pronounced hay-sun hong), as each of them impacts the scope and purpose of the music on Things Will Pass. First, she is well-versed in the shaping and subtleties of contemporary big-band jazz; second, she was born and raised in Seoul, South Korea; third, she formed her own big band after relocating from Korea to New York City more than a decade ago; fourth, and perhaps most important, she ...
Continue ReadingTracy Yang: OR
by Jack Kenny
Darcy James Argue and Maria Schneider have produced music in recent years that is setting new parameters. They have broadened the scope of jazz by mining inspiration from unlikely sources: Argue finds inspiration in politics and conspiracy theories; Schneider looked at the data world, both artists revivifying the large jazz orchestra. A new name can be added: Tracy Yang. Yang has her own preoccupations: music, photography and ecology. Yang's story has many intriguing aspects. To abandon a career ...
Continue ReadingDan Pugach Big Band: Bianca
by Jack Bowers
Dan Pugach is an Israeli-born, New York-based drummer who doubles (quite well) as composer and arranger on Bianca, his second recording for Outside In Music. Pugach anchors a splendid big band comprised of some of the New York area's finest musicians on an album whose subtitle is Music for Paws and Persistence." The paws" were those of the Pugach family's rescue pit-bull, Bianca, who passed away in 2019 and left a gaping hole in their lives, as ...
Continue ReadingEarl MacDonald: Consecrated
by Dan Bilawsky
The searching spirit that drives the work of composer and pianist Earl MacDonald is both a reflection on musical curiosity and, to a deeper extent, a statement of faith. Bringing both of those identity-shaping aspects to the fore like never before, MacDonald uses Consecrated to work toward a higher purpose. Reshaping and resetting a series of traditional hymns in sophisticated yet accessible fashion, he conveys the core values of his Christian beliefslove, kindness, charitywith class and creative purpose.
Continue ReadingMike Fahie Jazz Orchestra: Urban(e)
by Dan Bilawsky
There's a rocky history surrounding jazz-classical hybrids. But, in truth, that has little to do with any potential incompatibility. Instead, it's usually misguided maneuvering and/or an excessive show of dominant traits from one side or the other that mars said unions. When done right a wedding of those worlds can truly birth brilliance. Just listen to Urban(e) for proof. Noted trombonist, composer, arranger and educator Mike Fahie's unabashed love for classical music and jazz is clear and ...
Continue ReadingArturo O'Farrill: Four Questions
by Jerome Wilson
Surprisingly this set marks the first time Arturo O'Farrill has recorded a set of solely his own compositions. It was worth the wait because this music, played by his Afro Latin Jazz Orchestra, really demonstrates the cinematic sweep and variety of his writing. The set is constructed around two topical extended works. The first, Four Questions," is based on four questions about the struggle for human rights and personal dignity first posed by African-American author W.E.B. DuBois in ...
Continue ReadingMike Fahie Jazz Orchestra: Urban(e)
by Jack Bowers
Most Western music, irrespective of its origin and premise, inhabits the same harmonic, chordal and rhythmic universe. So it should not be surprising that classical music, in the hands of a skilled arranger, can be readily recast in a jazz idiom, even one that is housed within a big-band framework. On Urban(e), trombonist Mike Fahie's New York-based Jazz Orchestra braves that challenge, quickening Fahie's translations of works by Frederic Chopin, Igor Stravinsky, Claude Debussy, Bela Bartok, Peter Ilyich Tchaikovsky and ...
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