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Jazz Articles about Dave Liebman

338
Album Review

Miles Davis: On The Corner / Get Up With It

Read "On The Corner / Get Up With It" reviewed by Todd S. Jenkins


Columbia/Legacy is embarking upon a hot fusion reissue program, reshaping many of their classic albums via digital technology to make the roots of today’s music more relevant. Among the first reissues slated for 2000 are two of Miles Davis’ most misunderstood but oddly influential offerings, “On The Corner” and “Get Up With It”. At the “On The Corner” sessions Miles went nuts with electric eclecticism. He hooked a pickup and wah-wah pedal to his trumpet, hired three drummers and three ...

311
Album Review

Miles Davis: On The Corner / Get Up With It

Read "On The Corner / Get Up With It" reviewed by Todd S. Jenkins


Columbia/Legacy is embarking upon a hot fusion reissue program, reshaping many of their classic albums via digital technology to make the roots of today’s music more relevant. Among the first reissues slated for 2000 are two of Miles Davis’ most misunderstood but oddly influential offerings, “On The Corner” and “Get Up With It”. At the “On The Corner” sessions Miles went nuts with electric eclecticism. He hooked a pickup and wah-wah pedal to his trumpet, hired three drummers and three ...

321
Album Review

Dave Liebman Trio: Monk's Mood

Read "Monk's Mood" reviewed by David Adler


It’s nice to hear Dave Liebman undo a few buttons and dig in with a trio session. Of late the sax icon has taken to larger ensembles and concept albums. The only concept here is Monk, and Liebman’s only guests are Eddie Gomez on bass and Adam Nussbaum on drums. Seldom-played gems such as “Teo," “Gallop’s Gallop," “Introspection," and “Skippy" make this not just another Monk tribute. However, bookending the program with “Monk’s Mood" is not original—Danilo Perez did the ...

190
Album Review

Florian Ross w/Dave Liebman: Suite For Soprano Sax & String Orchestra

Read "Suite For Soprano Sax & String Orchestra" reviewed by Glenn Astarita


Composed and arranged by pianist Florian Ross, Suite For Soprano Sax and String Orchestra brings to life Ross’ concept to compose a series of pieces which are based upon pastoral themes of English classical composers. Here, soprano saxophonist Dave Liebman paves the way and assists fulfilling Ross’ master game plan which fuses classical music behind the guiding light of Liebman’s improvisations and thematic articulations.

On “Part 1” the listener is treated to lush strings in support of Liebman’s sinewy and ...

265
Album Review

Joanne Brackeen: Pink Elephant Magic

Read "Pink Elephant Magic" reviewed by Glenn Astarita


One of the great pianist’s and unsung heroes in Modern Jazz returns in incendiary and dynamic fashion. Joanne Brackeen’s Pink Elephant Magic is stunning, articulate and easily one of the premier jazz recordings of 1999.

The title track and opener, “Pink Elephant Magic” is simply an outstanding composition! The complex and seemingly difficult to perform arrangement is multifaceted, cleverly orchestrated and superior in scope and altogether artfully constructed. Brackeen, with the assistance of Nicholas Payton (trumpet), Chris Potter (soprano sax) ...

214
Album Review

David Liebman: The Elements: Water

Read "The Elements: Water" reviewed by Glenn Astarita


Soprano sax icon and modern jazz pioneer Dave Liebman teams up with the equally talented and famous jazz guitarist Pat Metheny for their first ever recording. Liebman’s “”The Elements: Water” represents the first in a projected series of recordings dedicated to the elements. Liebman states in the liners: ... The music “all derives from the opening solo guitar theme” and continues with: “Every composition is based on a different harmonic aspect of this melody”. The first piece “Water: Giver Of ...

194
Album Review

70's Jazz Pioneers: Live! at The Town Hall New York City

Read "Live! at The Town Hall New York City" reviewed by Glenn Astarita


The “Young Lions” of the 1970’s? Now we refer to them as the “70’s Jazz Pioneers”. Perhaps in the year 2010 some will refer to Wynton Marsalis, Roy Hargrove, Antonio Hart and Joshua Redman, as the (mainstream) “80’s Jazz Pioneers”? Although, this writer would hardly cite Redman or Hargrove as true pioneers but this is good fodder for ongoing debates et al.

Here, those 70’s’ Pioneers reunite at New York City’s famous “Town Hall” to perform well known compositions by ...


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