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Jazz Articles about Dave Liebman
Funkwrench Blues: Soundtrack For A Film Without Pictures
by Chris May
Once upon a time it was hard to walk into an arthouse cinema without bumping into a jazz soundtrack. Miles Davis' for Louis Malle's Ascenseur Pour L'échafaud (1958), Charles Mingus' for John Cassavetes' Shadows (1959), Krzysztof Komeda's for Roman Polanski's Knife In The Water (1962) were among a legion of similarly inclined endeavours. But all that was a long time ago in a galaxy far, far away. In the 2020s, if you want to hear a freshly ...
Continue ReadingMarc Copland: Impressions
by John Kelman
Solo performances may approach presenting an artist at his or her most vulnerable, but it's in the context of the duo that they're the most exposed. Not only are their abilities, instincts and improvisational élan laid bare, but their communication skills, at the deepest level, are impossible to disguise. The good news is that, were pianist Marc Copland and saxophonist Dave Liebman in Hans Christian Andersen's famous children's story, “The Emperor's New Clothes," there'd be no child crying out, “But ...
Continue ReadingMachine Mass: Inti
by John Kelman
One of music's most remarkable qualities is its ability to provide a context for expression of otherwise indescribable feelings. The genesis of Machine Mass Trio came at a time of duress for Tony Bianco, the expat American drummer who, since relocating to Europe in the mid-1990s, has performed with A-list improvising musicians including Elton Dean, Evan Parker and Alexander Von Schlippenbach. He's also a charter member of douBt, alongside fellow MMT mate, Belgian guitarist {Michel Delville. “My wife ...
Continue ReadingDan Costa: Beams
by Craig Arthur
UK-born pianist Dan Costa plays and composes in the impressionistic tradition of Bill Evans, acoustic Herbie Hancock, Chick Corea or Marcin Wasilewski. It is a style that lends itself well to the alchemy of turning light into music, music into light. And his subject matter of choice on Beams, like that of an impressionist painter, is indeed light. He describes the album as “a celebration of light in some key physical and metaphysical forms." Light is like water, ...
Continue ReadingDave Liebman: Dave Liebman: Live at Smalls
by Mike Jurkovic
A brief, charged commencement by Dave Liebman and trumpeter Peter Evans (Mostly Other People Do the Killing, Mary Halvorson) launches Dave Liebman: Live at Smalls and from there the nocturne reaches out like a rhizome—laterally, vertically, horizontally—thriving into your consciousness, taking root, expanding . . . Free jazz is and will always be a fertile mind-field, an active landscape where veterans such as the quintet here at Smalls, post-plague, in a city pulled apart by fact and fiction, ...
Continue ReadingReed Rapture With Liebman And More
by Bob Osborne
On this show we continue our exploration of Ivo Perelman's Reed Rapture In Brooklyn, this time focusing on his partnership with Dave Liebman. As well as further music from Liebman we also have excellent new releases from Blood Quartet, Mette Henriette, Sebastian Rochford & Kit Downes, Stephan Micus, Anders Jormin, and Maximiliano Kirszner.Playlist Show Intro 00:00 Ivo Perelman and Dave Liebman “Ten" from Reed Rapture In Brooklyn (Mahalaka Music) 00:53 Dave Liebman, Adam Rudolph, Hamid Drake “Formless Form" ...
Continue ReadingDave Liebman: Trust And Honesty
by Chris May
Dave Liebman's Trust And Honesty is the third release in Newvelle Records' limited edition audiophile-vinyl autumn 2022 Renewal Collection. It follows Elan Mehler's There Is A Dance and Michael Blake's Combobulate, both previously reviewed on these pages. Liebman's album is an unassuming little gem. It takes a master musician to take a selection of familiar ballads, give them simple, straightforward readings with an average duration of around four minutes, and come up with something so lovely and ...
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