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Broken Shadows: Broken Shadows with Tim Berne, Chris Speed, Reid Anderson, Dave King
by Dan McClenaghan
The context for Broken Shadows is--can you guess--the Ornette Coleman album of the same name, recorded in 1971 and released on Columbia Records in 1982. That, along with three tunes from Coleman's Science Fiction (Columbia, 1971), and more from the free jazz pioneer's Atlantic and Blue Note Records days. And while we're at it, throw in a pair of compositions from Julius Hemphill, one from saxophonist Dewey Redman and one from bassist Charlie Haden--all players with strong connections to Coleman. ...
Continue ReadingCraig Taborn: Compass Confusion
by Mike Jurkovic
Compass Confusion, the long hoped for return of Craig Taborn's depth defying, solo-gone-quintet from Junk Magic (Thirsty Ear, 2004), climaxes early and often and, however you like to be lured, It pulls you along with a lush velvet hook in your mouth. Reeling it in is a struggle but a blessing. We know that. We get it. CTJM thinks so too. First timers, saxophonist/clarinetist Chris Speed and bassist ((Erik Fratzke}} are welcomed brotherly into the fold by pianist ...
Continue ReadingCraig Taborn: Compass Confusion
by John Sharpe
Although a peerless pianist, Craig Taborn has been captivated by electronics since the age of 12, and he scratches that itch big-time on Compass Confusion. The role of post-production treatments in the creation of jazz records has a long history, from Orrin Keepnews piecing together the issued version of Thelonious Monk's 1956 classic “Brilliant Corners" from among 24 takes of the tune, to Miles Davis and Teo Macero forging masterpieces like Bitches Brew (CBS, 1970) from studio jams. Taborn's ethos ...
Continue ReadingJunk Magic: Compass Confusion
by Franz A. Matzner
Density. Shifting ground. Textural discord. Sharpness like glass. Resonant emptiness. Explorative improvisation, electronica sound spaces and electric beats. Released by the Craig Taborn project Junk Magic, Compass Confusion moves the fusion of live performance with electronica to the next level, making the division between the two often difficult to discern. The album incorporates a cross section of electronica techniques, including often lesser recognized subgenres like ambient, trip-hop, and minimalist industrial. This diverse representation of electronic music coupled with ...
Continue ReadingThe Bad Plus: Activate Infinity
by Emmanuel Di Tommaso
Quando alla fine del 2017 Ethan Iverson lasciò i Bad Plus si parlò di fine di un'era per uno dei piano jazz trio più originali e longevi della musica contemporanea. Sempre aperti a nuove sperimentazioni e a sconfinamenti che li hanno portati a contaminare il loro post-bop jazz di partenza già di per sé istrionico con la freschezza e il melodismo della pop music e del rock strumentale, con l'abbandono di Iverson sembrava veramente che qualcosa potesse minare la coesione ...
Continue ReadingChris Speed Trio: Respect for your Toughness
by Vic Albani
Nuovo album, ancora una volta targato Intakt, per il sassofonista Chris Speed in trio con Chris Tordini, contrabbasso, e Dave King, batteria. Un trio, ormai ben rodato, in grado di tradurre con alta coerenza stilistica e formale architetture di classica derivazione bop ma lavorando come Speed ci ha ormai abituato da tempo. La sua verifica strutturale è infatti un'intelligente operazione di modernizzazione del suono della tradizione lavorando con mood versatili e dalle ampie peculiarità di interessante e godibile ricerca.
Continue ReadingVector Families: For Those About To Jazz / Rock We Salute You
by Glenn Astarita
Drummer Dave King (The Bad Plus, Dave King Trucking Company) has been a significant protagonist within the burgeoning Minneapolis / St. Paul progressive jazz scene amid various ensembles' --including Vector Families --stark experimentalism. Here, the drummer along with esteemed veteran bassist Anthony Cox steer the mutable groove-building episodes on an album that places jazz rock inside an avant-garde dynamic. Hence, these compositions are executed with asymmetrical parts improvisation and structure. With the opener “Free Funk!," King ignites the ...
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