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About Daniel Rosenthal

42

Album Review

Mehmet Ali Sanlikol: Turkish Hipster: Tales From Swing To Psychedelic

Read "Turkish Hipster: Tales From Swing To Psychedelic" reviewed by Jack Bowers

by Jack Bowers

Those who believe the term Turkish Hipster has to be an oxymoron should get to know composer/arranger/multi-instrumentalist Mehmet Ali Sanlikol, a Turk whose seventh album, subtitled “Tales from Swing to Psychedelic," is about as hip as can be. Sanlikol knows where is going but chooses to get there in his own special way, using every weapon in his musical arsenal to create vivid sound pictures whose jazz components rest solidly within a Middle Eastern framework that set them apart from ...

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3

Album Review

The JCA Orchestra: Live At The BPC

Read "Live At The BPC" reviewed by Jerome Wilson

by Jerome Wilson

The JCA Orchestra has been an important part of the Boston jazz scene since it formed in 1985. Several of its recordings are dominated by the compositions of its leader, Darrell Katz, but this live concert from the Berklee Performance Center features works by several orchestra members other than Katz and gives a fuller picture of the orchestra's range. Violinist Mimi Rabson contributes two atmospheric pieces. “Romanpole" is a musical culture clash inspired by the period when the ...

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104

Album Review

Daniel Rosenthal: Music in the Room

Read "Music in the Room" reviewed by Glenn Astarita

by Glenn Astarita

Trumpeter Daniel Rosenthal and his fellow hornists have all performed with the fabled, Either / Orchestra which to some extent has been an institution for many top-flight Boston area jazz musicians. Here, the leader and the dual sax attack of Charles Kohlhase and Rick Stone incorporate brash and fluid soloing into a program that contains a divergent track mix and covers a multitude of angles, cadences and improvisational applications. Luther Gray has long been a drummer of choice ...

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126

Album Review

Daniel Rosenthal: Lines

Read "Lines" reviewed by Greg Simmons

by Greg Simmons

Lines, Daniel Rosenthal's debut as a leader, is a soft-spoken little album with an unusual instrumental mix and inventive tunes. The Boston trumpeter, a five-year veteran of the Either/Orchestra, offers stripped-down arrangements with the periodic inclusion of the banjo to spice things up. With the exception of two Thelonious Monk tunes, Rosenthal is responsible for all of the music on Lines. The feel is loose and conversational, with improvisational duties largely swapped between Rosenthal and alto saxophonist Rick ...

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114

Album Review

Either/Orchestra: Mood Music for Time Travelers

Read "Mood Music for Time Travelers" reviewed by Ian Patterson

by Ian Patterson

As saxophonist/founder Russ Gershon has noted, the 25-year history of the Either/Orchestra constitutes a quarter of jazz's eventful history. The changes in this large ensemble's music in part reflect wider trends and at the same time are the results of an organic evolution as members have come and gone. In the early years, Gershon plumbed the jazz cannon for repertory in addition to composing original material. However, arrangements of songs by Bob Dylan, Bing Crosby and Robert Fripp pointed to ...

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Album Review

Either/Orchestra: Mood Music for Time Travellers

Read "Mood Music for Time Travellers" reviewed by AAJ Italy Staff

by AAJ Italy Staff

Dopo la felicissima perentesi africana del 2005 (documentata dal vivo in Live in Addis ma gia' presente in parte su Afro-cubism) l'orchestra di Russ Gershon celebra i 25 anni d'attività con un nuovo album, l'undicesimo. È certamente un bel traguardo, su cui nessuno avrebbe scommesso quando l'organico si mise assieme, quasi per gioco a casa del sax tenore, complici “una cassa di birra e degli spartiti". Gershon è un bandleader e arrangiatore versatile e aperto, che guarda con interesse alle ...

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176

Album Review

Either/Orchestra: Mood Music for Time Travellers

Read "Mood Music for Time Travellers" reviewed by Jerry D'Souza

by Jerry D'Souza

The past 25 years have been a time of transition for The Either/Orchestra. Members have come and gone and come back again. Their music has imbibed several styles and genres and grown all the richer. One of the sagest moves they made was the long, and fruitful, collaboration with Ethiopian music and with musicians that included Mahmoud Ahmed, Getachew Mekurya and Mulatu Astatke,For this recording, Russ Gershon wrote a couple of tunes geared to the organ after he ...

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