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Liner Notes

Christy Doran: in The Corner Of The Eye

Read "Christy Doran: in The Corner Of The Eye" reviewed by Ian Patterson

For forty years, Irish-born, Lucerne-based guitarist Christy Doran has recorded prolifically for numerous labels. Inevitably perhaps, many of his earlier works are out of print, so it's cause for celebration that this release brings together the very best of Phoenix (hat Art, 1990) and What a Band (hat Art, 1992), two long-neglected yet essential Doran recordings. The majority of Doran's releases have been with bands, from the seventies jazz-rock/free jazz group OM to New Bag, his main working ...

Album Review

Christy Doran & Stefan Banz: Aerosols

Read "Aerosols" reviewed by Ian Patterson

Aerosols is Irish-born, Lucerne-based guitarist Christy Doran's fifth solo album in a career which began in the early '70s, and his first since Acoustic Isles (Creative Works Records, 2006). That CD/DVD was an intermedia collaboration with visual artist Susanne Dubs. In similar vein, Aerosols sees Doran respond musically to five paintings by Swiss multi-media artist Stefan Banz. In turn, vla his own medium, Banz answers to five pieces of music composed by Doran. The paintings--with accompanying text--adorn the CD booklet, ...

Album Review

Beady Beast: On The Go

Read "On The Go" reviewed by Ian Patterson

Guitarists Christy Doran and Franz Hellmüller, the duo known as Beady Beast, were once teacher and student. That was in the early 2000s, when Hellmüller studied with Doran at Lucerne's Musikhokschule. Since graduating summa cum laude in 2003, Hellmüller has established a reputation as an original electric guitarist, usually playing in the company of Patrick Sommer and Martin Perret, or with Luca Sisera and Tony Renold. Longer of tooth, Doran has blazed a singular trail since the early '70s with ...

Album Review

OM: It's About Time

Read "It's About Time" reviewed by Ian Patterson

In 1982, after five albums in ten years, Swiss free-jazz quartet OM called it a day—its four members, Christy Doran, Fredy Studer, Urs Leimgruber and Bobby Burri going their separate ways. A supposed one-off reunion in 2007 to open an exhibition on the youth movement of the 1960s and 1970s led to a successful series of festivals appearances on home turf. Those concerts resulted in the live album Willisau (Intakt Records, 2010), a return to OM's improvisational heartland, and signalled ...

Album Review

Christy Doran's Sound Fountain: Lift The Bar

Read "Lift The Bar" reviewed by Ian Patterson

With four records in as many years Christy Doran's Sound Fountain seems in 2020 to have eclipsed New Bag as the guitarist's going concern. However, just because New Bag hasn't recorded since Elsewhere (Double Moon, 2015) doesn't mean that the band, founded in 1997, won't still make a comeback. After all, who could have foreseen the 2016 return to the road of OM, thirty-four years after Doran, Fredy Studer, Urs Leimgruber and Bobby Burri called time on the seminal Swiss ...

Album Review

Christy Doran's Sound Fountain: For The Kick Of It

Read "For The Kick Of It" reviewed by Ian Patterson

Released shortly before turning seventy, Christy Doran's third outing with Sound Fountain finds the Irish-born, Lucerne-based guitarist playing as well as at any time during his fifty-year career. It marks a blistering return for Doran to electric trio terrain, following the experimentation of 144 Strings for a Broken Chord (Between the Lines, 2018)—compositions for twenty electric guitars, four basses and drums—and the uncategorizable, and sonically challenging, Âme Sèche (Leo Records, 2018). The template here is broadly the same as that ...

Album Review

Walter Fähndrich - Christy Doran - Remo Schnyder - Samuel Wettstein: Âme Sèche

Read "Âme Sèche" reviewed by Glenn Astarita

The literal translation of the album title from French to English looks to be 'soul dryer,' but in reality it could imply something else. Regardless, this international quartet abides by a surfeit of unorthodoxies. And while guitar hero Christy Doran is perhaps well-known to the global avant-jazz, improvisation and jazz fusion audience, the other artists' musical appetites span noise music, classical, jazz, improvisation and a host of cross-bred musical idioms. Nonetheless, the musicians' biographies are well-beyond the scope of this ...


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