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About Chet Baker

823

Building a Jazz Library

Creed Taylor Productions, Part 1

Read "Creed Taylor Productions, Part 1" reviewed by Chris M. Slawecki

by Chris M. Slawecki

Part 1 | Part 2 The place in jazz history held by Creed Taylor is impeccable, stylish, and essential. He produced some of the best music for some of the best labels dedicated to jazz, then formed his own label and with meticulous preparation and his musician's ear kept on making great jazz records. Taylor began as a producer for Bethlehem Records, where his work with Charles Mingus stands among the label's best. In 1960, ...

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495

Album Review

Chet Baker: The Last Great Concert

Read "The Last Great Concert" reviewed by Dan McClenaghan

by Dan McClenaghan

Trumpeter Chet Baker had his ups and downs. The ups: his groundbreaking work with baritone saxophonist Gerry Mulligan's pianoless quartet in the early to mid-fifties, followed by dozens of great early recordings under his own name. The downs: his long term involvement with drugs, which took him out of the picture for a stretch in the sixties. He made a successful comeback in the seventies, and by the time the Last Great Concert: My Favorite Songs, Vol. 1 & 2 ...

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359

Album Review

Chet Baker: Plays the Best of Lerner and Loewe

Read "Plays the Best of Lerner and Loewe" reviewed by Jack Bowers

by Jack Bowers

There’s some nice blowing on this CD reissue of an album recorded in 1959 by trumpeter Chet Baker and a star-studded supporting cast, but it’s far too sporadic, flutist Herbie Mann’s arrangements are generally uninspiring, and the session is on the whole rather lackluster. In searching for reasons, one that quickly arises is that Baker's celebrated sidekicks—Mann, Zoot Sims, Pepper Adams, a youthful Bill Evans—are largely window-dressing. As an example, “Thank Heaven for Little Girls” is played by a quintet—Baker, ...

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187

Album Review

Chet Baker: Plays The Best of Lerner & Loewe

Read "Plays The Best of Lerner & Loewe" reviewed by David Rickert

by David Rickert

Shelly Manne’s album of tunes from My Fair Lady was a huge success, and thus it was a natural move to follow it with other swingin’ Broadway records. Chet Baker was an obvious fit for this type of project, an artist whose handsomeness and fragile playing pegged him as a boyishly romantic interpreter of songs. He found success in the lush textures of Chet by marrying earnest renditions of tunes with a pleasant unassuming approach intended to capture a wider ...

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861

Book Review

Deep In A Dream: The Long Night of Chet Baker by James Gavin

Read "Deep In A Dream: The Long Night of Chet Baker by James Gavin" reviewed by C. Michael Bailey

by C. Michael Bailey

Deep In A Dream James Gavin Alfred A. Knopf 2002, 430 pages ISBN: 0-679-44287-1 The Heart of Darkness or Die Leiden des jurgen Chet Baker Early in James Gavin's finely crafted biography of the brilliant and troubled trumpeter Chet Baker, the author quotes long-time Baker associate Enrico Pieranunzi opining, “For American people, Chet was just a drug addict...[In Italy] we felt he was a great artist with a great problem. ...

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375

Book Review

Looking for Chet Baker

Read "Looking for Chet Baker" reviewed by Bob Jacobson

by Bob Jacobson

Looking for Chet Baker Bill Moody Walker & Co ISBN: 0802733689

Jazz pianist Evan Horne is at it again. An ex-girlfriend says it best: “You and dead jazz musicians. Just can't resist, huh?" From the title it's obvious whose death Horne is investigating this time. In the past it's been cases involving tenor man Wardell Gray, Charlie Parker and Clifford Brown. Actually, Evan Horne is not a detective who happens to play ...

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800

Book Review

As Though I Had Wings: The Lost Memoir

Read "As Though I Had Wings: The Lost Memoir" reviewed by Victor L. Schermer

by Victor L. Schermer

As Though I Had Wings: The Lost Memoir By Chet Baker St. Martin's Press, 1997 0312167970

Baker, Chet - Chesney Henry Baker. Born Yale, Oklahoma, December 23, 1929. Died Amsterdam, Netherlands, May 13, 1988. Trumpeter and singer.Chet Baker was both an original jazz artist and a cultural icon. His early trumpet playing was (no pun intended) instrumental in establishing the genre of “West Coast Jazz," and he went on to ...

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