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Jazz Articles about Cedar Walton

26
Album Review

Joe Henderson: The Complete Joe Henderson Blue Note Studio Sessions

Read "The Complete Joe Henderson Blue Note Studio Sessions" reviewed by Scott Gudell


If an artist stamps his jazz passport with any one of these labels--Blue Note, Verve, Milestone--it's pretty much a guarantee that you've arrived in style. Tenor saxophonist Joe Henderson has traveled with all three and more. The 2021 reissue from the prestigious Mosaic Records focuses on Henderson's 1960s tenure with Blue Note offers a new opportunity to experience an abundance of rich and creative jazz from the decade. Big band and bop were duking it out in the ...

10
Album Review

Clifford Jordan: These Are My Roots: Clifford Jordan Plays Leadbelly

Read "These Are My Roots: Clifford Jordan Plays Leadbelly" reviewed by Chris May


These Are My Roots: Clifford Jordan Plays Leadbelly is an oft overlooked item in the canon of tenor saxophonist Clifford Jordan, whose chef d'oeuvre was undoubtedly Glass Bead Games (Strata-East, 1974), one of the most exalted jazz albums of its era. But These Are My Roots, which was originally released on Atlantic in 1965 and has in 2021 been reissued on vinyl by British audiophile label Pure Pleasure, is of more than passing interest. The hard bop ...

10
Album Review

John Coltrane: Giant Steps: Remastered & Super Deluxe Editions

Read "Giant Steps: Remastered & Super Deluxe Editions" reviewed by Chris May


A date for your diary... 18 September 2020. That is when Atlantic / Rhino releases two cracking new editions of John Coltrane's first landmark album, Giant Steps (Atlantic, 1960). The main event is enhanced audio quality, which has noticeably more presence than any previous reissue. The double CD and vinyl Remastered Edition and digital-only Super Deluxe Edition consist of material which has been newly remastered by John Webber at Air Studios in London. The Remastered Edition includes ...

18
Album Review

Hank Mobley: The Complete Hank Mobley Blue Note Sessions 1963-70

Read "The Complete Hank Mobley Blue Note Sessions 1963-70" reviewed by C. Andrew Hovan


The music world has changed considerably since Michael Cuscuna and Charlie Lourie founded their boutique reissue label Mosaic Records back in 1983. From its inception, vinyl was still the preferred format, shortly to be overtaken by the popularity of the compact disc. At the cusp of vinyl's recent resurgence, Mosaic briefly got back into that format only to find themselves on the brink of closing up shop. Fortunately, the powers that be have forged on and recent CD boxed sets ...

5
Extended Analysis

David Hazeltine and Mike Kaplan: Two Perspectives On Cedar Walton

Read "David Hazeltine and Mike Kaplan: Two Perspectives On Cedar Walton" reviewed by David A. Orthmann


Years ago, I often went to a club in which a guest soloist was coupled with the house rhythm section. At one point in nearly every opening set, in an effort to find some common ground, the leader called Cedar Walton's “Bolivia." Sitting and waiting in anticipation for the theme to be played became an important part of witnessing each performance. Regardless of who was on the bandstand, “Bolivia" never failed to bring out the best in everyone.

456
Album Review

Cedar Walton: Voices Deep Within

Read "Voices Deep Within" reviewed by Russ Musto


Since 2001, Cedar Walton's regular excursions into Rudy Van Gelder's legendary Englewood Cliffs studio for the HighNote label have consistently resulted in some of this century's finest mainstream jazz recordings. On Voices Deep Within he continues the tradition, once again demonstrating the vitality and endurance of (t)his music. Despite his ever growing popularity and critical acclaim (and next month's NEA Jazz Mastership), Walton has not yet been elevated to his deserved place in the pantheon of the greatest jazz pianists--alongside ...

330
Album Review

Cedar Walton: Seasoned Wood

Read "Seasoned Wood" reviewed by Andrew Velez


Seasoned is an apt term for Cedar Walton who, at 72, continues to dazzle, refresh and satisfy with his keyboard artistry. Among several of his compositions included in Seasoned Wood, “Clockwise" is a bit of unusual waltz-time magic from which gradations of application spill from his keyboard, chiseled and burnished, as drummer Al Foster lends dazzling accompaniment. Their interaction is typical of Walton with this group, in which, as with the best bandleaders, he surrounds himself with stalwarts who shine ...


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