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About Bruce Williams

1

Radio & Podcasts

New releases from Bruce Williams, Rachel Spencer, Russ Anixter's Hippie Big Band and Kay Kostopoulos

Read "New releases from Bruce Williams, Rachel Spencer, Russ Anixter's Hippie Big Band and Kay Kostopoulos" reviewed by George Graham

by George Graham

George Graham spotlights four new releases from Bruce Williams, Rachel Spencer, Russ Anixter's Hippie Big Band and Kay Kostopoulos.Playlist Bruce Williams “Every Time We Say Goodbye" from Solid Perspective (WJ3) 05:05 Bruce Williams “The Matriarch" from Solid Perspective (WJ3) 05:40 Rachel Spencer “The Next Right Thing" from The Next Right Thing (self-released) 03:29 Rachel Spencer “Bias" from The Next Right Thing (self-released) 07:00 Russ Anixter's Hippie Big Band “I Saw Her Standing There" from What Next (self-releases) 04:54 ...

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16

Album Review

Bruce Williams: Solid Perspective

Read "Solid Perspective" reviewed by Jack Bowers

by Jack Bowers

Alto saxophonist Bruce Williams, who doubles as composer, triples as arranger and quadruples as vocalist on one number, brings enviable creds to Solid Perspective, his fifth recording as leader of his quartet. Williams has worked steadily since leaving his native Washington, DC, for New York City, where he has remained for more than two decades, performing with groups large and small both stateside and around the world while polishing his resume as a respected educator and mentor to many rising ...

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27

Album Review

Ted Chubb: Live at The Statuary

Read "Live at The Statuary" reviewed by Jack Bowers

by Jack Bowers

Trumpeter, composer and educator Ted Chubb leads a blue-chip quintet on Live at The Statuary, recorded during four concert sessions in March 2025 at the historic Jersey City, New Jersey, site that Chubb co-owns with his wife, Rachel Ryll. This is wall-to-wall hard bop jazz wherein Chubb and his front-line partner, alto saxophonist Bruce Williams, tread an undeviating straight-ahead path, one that their audience seems to appreciate. These concerts, however, are far more sedate than exciting, and represent ...

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11

Liner Notes

Altin Sencalar: Unleashed

Read "Altin Sencalar: Unleashed" reviewed by C. Andrew Hovan

by C. Andrew Hovan

Often overshadowed by other solo instruments, the trombone boasts a rich history in jazz--one so vast it could fill volumes. New Orleans, the birthplace of jazz, also gave rise to Kid Ory, a pioneer of the “tailgate" style of trombone playing. In the early 1900s, bandleaders often promoted their shows by parading through town on horse-drawn wagons. Trombonists, needing space to extend their instrument's slide, would sit at the back on the open tailgate, projecting their bold, brassy sound into ...

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7

Liner Notes

Altin Sencalar: Unleashed

Read "Altin Sencalar: Unleashed" reviewed by Altin Sencalar

by Altin Sencalar

Unleashed is an album that captures my overall headspace as an individual. This year I turned 30 years old and welcomed my firstborn child into the world, John Altin Sencalar. Two major milestones in any person's life, but especially mine this year. Unleashed represents my playing, my personality, and my overall attitude towards my career development. When thinking about this album, I take many chances that I would not have done in the past specifically playing the trombone in an ...

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18

Album Review

Markus Gottschlich: Found Sounds

Read "Found Sounds" reviewed by Jack Bowers

by Jack Bowers

Found Sounds? As it turns out, there is a special story behind that. For four years leading up to this recording, Austrian-born pianist Markus Gottschlich preserved “sounds" he heard around the world using a binaural mic and hand-held recording device. He writes that one thing he found was that “sounds, more than any other sensory stimulus" sparked his imagination and set his creative juices in motion. He has incorporated a number of those sounds into the nine original compositions on ...

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191

Album Review

Bruce Williams: Altoicity

Read "Altoicity" reviewed by David A. Orthmann

by David A. Orthmann

The music on Bruce Williams’ Altoicity covers a variety of jazz styles from the past 60 years. Along with his front line partner, trumpeter Russell Gunn, and the formidable support of pianist Marc Cary, bassist Gerald Cannon, and drummer Cecil Brooks III (who doubles as the disc’s producer), the alto saxophonist displays his fluency in frameworks ranging from bebop to free jazz. Williams plays with a maturity that enables him to put his personal stamp on every track.

A hip, ...

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