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Jazz Articles about Brigitte Beraha
Ant Law: Unified Theories
by Neil Duggan
Guitarist Ant Law exemplifies the modern jazz polymath. Beyond leading his own quintet, he maintains a musical partnership with British/Turkish vocalist Brigitte Beraha, sustains an ongoing collaboration with saxophonist Alex Hitchcock and co-leads the innovative Trio HLK. This venture sees him forming an entirely new ensemble for their debut release, Unified Theories, all while continuing collaborations with renowned artists including Linda May Han Oh, Tim Garland and Jeff Ballard. Law's background mirrors his musical versatility. Raised in Jeddah, ...
Continue ReadingClaire Cope: Every Journey
by Dan McClenaghan
Consider British pianist, composer/ bandleader Claire Cope. She debuted as a fully formed artist via her excellent septet set Small World (Self Produced, 2020), a deftly crafted classical/jazz hybrid. On her second recording, the album at hand, Every Journey, she employs an eleven-piece ensemble, building on the atmosphere of her debut, painting translucent layerings and weaving a loose net of textures into gorgeous, expansive soundscapes. With composer-bandleader Maria Schneider as a major touchstone, Cope creates luminous arrangements. She cites Schneider's ...
Continue ReadingALATI: Ascending The Morning
by John Sharpe
Although combining poetry and jazz can sometimes be as thankless as mixing oil and water, ALATI has come up with a near perfect formulation. On Ascending The Morning, the three piece band, led by Norwich-based trumpeter Chris Dowding and completed by vocalist Brigitte Beraha and pianist Dave O'Brien, sets to music eight nature-inspired poems by Oxford Professor of Poetry Alice Oswald. Dowding brings a lyrical sensibility to all his projects, such as the free improvising brass trio Hard Edges and ...
Continue ReadingSolstice: Food For Thought
by Chris May
An off-the-wall and extraordinarily beautiful album, Food For Thought is London sextet Solstice's follow-up to Alimentation (Two Rivers), a niche-jazz landmark in 2016. The album blends jazz with prog-rock and tropicalia-like psychedelia. It is intricate, lyrical and wildly inventive. It is also technically demanding and forensically arranged, yet it all sounds effortless. It is, most of the time, impossible to tell what is improvised and what is pre-composed. It is a jazz album unlike any other we have heard since, ...
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