Jazz Articles about Branford Marsalis

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Branford Marsalis: Braggtown

by Jason Crane
September 22, 2006

From the opening anthem, called out on the unaccompanied saxophone by a swaggering Branford Marsalis, you know that Braggtown is going to be a ride. And when Jeff “Tain" Watts explodes on the cymbals a few beats later, you know the ride is going to be in a fast car on a winding mountain road. This is jazz that makes your hair stand up on the back of your neck and your head move involuntarily, pulled back and forth by ...

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Branford Marsalis: Braggtown

by Jim Santella
September 13, 2006

Branford Marsalis continues to push jazz in the directions that this art should seek for eternity. Never satisfied with achievements from the past, he's determined to make things new and positive happen every time out. With Braggtown, he's on fire.

Jazz's modern mainstream fights with a furious approach. It demands that the artist remain honest about his motive. Sure, there's room in the field for many other options, but the path that holds the most promise for our ...

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Branford Marsalis Quartet: Braggtown

by Paul Olson
September 12, 2006

There's a huge difference between live jazz performances and studio jazz recordings. Neatly concise pieces that thrill on record can feel overly cautious on the stage, and stretched-out open forms that make audiences hoarse from cheering can simply be boring on CD. That's not to say that the only good jazz recordings feature tight arrangements and brief solos. There is, however, a deep and real divide between the two presentations, and on record, less can be more.Once in ...

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Branford Marsalis Quartet: Braggtown

by John Kelman
September 11, 2006

Sometimes the smallest germ of an idea can generate grist for extended exploration. Many of the late saxophone giant John Coltrane's compositions from the early 1960s onward were proof of that. From the opening two bars of “Jack Baker, the first track on Braggtown, it's clear that the same concept still applies. For nearly two minutes Branford Marsalis repeats the figure like a mantra, occasionally reharmonizing it, but ultimately returning back before the quartet settles into the energetic swing that ...

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Branford Marsalis: Braggtown

by Mark F. Turner
September 10, 2006

"Damn the torpedoes, full speed ahead! could be one of the underlying messages of Braggtown. While other jazz groups are experimenting with a variety of artistic freedoms, including odd instruments, spoken word, hip-hop and electronica, Branford Marsalis and his quartet are staunch on the path of hard bopping, straight-ahead acoustic music. The music is in fact a continuation of their past three recordings on the Marsalis Music label--Eternal (2004), Romare Bearden Revealed (2003) and Footsteps of Our ...

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A Fireside Chat with Branford Marsalis

by AAJ Staff
March 2, 2005

A Love Supreme is a psalm of hope, that audibly embodied the black struggle. A Love Supreme merits a universal reverence as a suite of such operatic breadth, it is rarely performed live. Branford Marsalis is not the first Marsalis to perform “A Love Supreme" on record. That distinction belongs to brother Wynton. Branford is blunt, often brutal in his matter-of-fact fidelity. And he pulls no punches here.

All About Jazz: How important is John Coltrane?

Branford Marsalis: ...

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Marsalis Music: A Love For Jazz Supreme

by Doug Collette
February 10, 2005

Born into a family with an estimable legacy in the annals of jazz, Branford Marsalis has always done that legacy proud and never more so than through his conception of Marsalis Music. Conceived, according to noted jazz critic Bob Blumenthal (who works hand in hand on various projects under the MM aegis), as a homage to the profound influence of jazz on culture at large, the saxophonist sees the enterprise as a work in progress encompassing more than just recordings ...