Jazz Articles about Bob Gluck
Bob Gluck: Early Morning Star
by Jerome Wilson
On this release, pianist Bob Gluck mixes the realms of classical music and jazz in interesting ways. The formal, declarative music produced by Gluck, clarinetist Kinan Azmeh and vocalist Andrea Wolper is given flow and earthiness by the rhythmic pull of bassist Ken Filiano and drummer Tani Tabbal. The front-line combination fluidly rises and falls through pieces like the sparkling “A Time of Singing," with Wolper singing words from the Bible's Song of Songs over surging piano, and ...
read moreBob Gluck: Early Morning Star
by Karl Ackermann
Composer/pianist/electronic artist Bob Gluck's musical repertoire is particularly diverse. Among his many electro-acoustic projects are the borderless duo album Textures and Pulsations (Ictus Records, 2012) with Aruán Ortiz, Tropelets (Ictus Records, 2014) featuring improvisations based on Jewish biblical chants, and Infinite Spirit (FMR Records, 2016) where he pays tribute to Herbie Hancock's Mwandishi Band. In the latter, Gluck brought in drummer Billy Hart and trumpeter Eddie Henderson from that relatively short-lived group. For Early Morning Star Gluck has brought together ...
read moreBob Gluck & Tani Tabbal: At This Time: Duets
by Karl Ackermann
Bob Gluck is a gifted composer of electronic and acoustic music, as well as an educator and writer. As a pianist/keyboardist he has offered innovative and intensely creative modern jazz, finding inspiration in the familiar and the obscure. He has collaborated with Michael Bisio, Jane Ira Bloom, Ken Filiano, and many other top-tier artists. With Billy Hart, Eddie Henderson and Christopher Dean Sullivan he gave us Infinite Spirit -Revisiting Music of the Mwandishi Band (Self Produced, 2016), a companion recording ...
read moreThe Miles Davis Lost Quintet and Other Revolutionary Ensembles
by Karl Ackermann
The Miles Davis Lost Quintet and Other Revolutionary Ensembles Bob Gluck 256 Pages ISBN: #022618076X University of Chicago Press 2016 In the history of jazz, no one has been written about more than Miles Davis. No one has been more debated, reviled and revered than the difficult genius who defines so much of the disparate history of modern jazz. So taking on yet another analysis of the composer and trumpeter could have been ...
read moreBob Gluck Trio: Returning
by Henry Smith
The piano trio can be a difficult format for free playing. It is too easy for the piano, so easily a dominating instrument, to overshadow the bassist and drummer, rendering them as backup to the more harmonically complex keyboard. This is fine, and an enormous amount of great music has been made in this format, but when it comes to more exploratory veins of jazz, it is difficult for a group to exhibit the simpatico required for simultaneous creativity and, ...
read moreBob Gluck Trio: Returning
by Karl Ackermann
The piano trio, in one form or another, has been a jazz staple since the 1930s, and consequently skews toward the familiar. Fortunately, there are those atypical artists who invite a deeper dive for the uninhibited. Nothing could be more challenging, interesting and listenable than the music Bob Gluck creates within that formation. Like his Something Quiet (FMR Records 2010), Gluck's Returning is a brilliant collection of uniquely modern jazz. Throughout, it is a passionate and riveting performance with rhythmic ...
read moreBob Gluck: Something Quiet
by Glenn Astarita
Julliard-trained pianist Bob Gluck's heart lies within the adventurous free jazz uprising of the 1960s and electronic music. This harmonically appealing acoustic date subliminally intimates his penchant for both genres, an album framed in a cunning fusion of ambient, jazz improvisation and concrete song forms. Gluck and bassist Christopher Dean Sullivan engage for a subtle, introspective and largely temperate spin on Herbie Hancock's classic, “Dolphin Dance." The pianist launches the piece with an animated sequence of chord ...
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