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Robby Ameen: Live at the Poster Museum
by Jack Bowers
Unlike some drummer-led albums, wherein it is hard to determine who is actually piloting the ship, there are no doubts about who is in charge on Live at the Poster Museum--and that would be none other than Robby Ameen whose sharp and forceful timekeeping enlivens the heart and soul of every number, lending them a sizable measure of their exuberance and swagger. That is especially meaningful considering that Ameen is traveling in fast company, overseeing a burnished ...
Continue ReadingMike Stern: Echoes and Other Songs
by Neil Duggan
Echoes and Other Songs is guitarist Mike Stern's first release since the loss of pianist, friend and confidante, Jim Beard in March, 2024. Beard, perhaps best known for his association with Steely Dan, appears here as pianist, keyboardist and producer. Stern is still on the long road to recovery following a fall in 2016 that broke both his arms and left him with nerve damage. He has adapted his technique and now uses a homegrown solution to hold his pick ...
Continue ReadingMike Stern: Echoes and Other Songs
by Doug Collette
With a running time of seventy-seven minutes plus, guitarist Mike Stern's Echoes and Other Songs is effectively a double album. And like most such expansive works--including classics like Bob Dylan's Blonde On Blonde (Columbia, 1966) and The Beatles (aka 'The White Album')(Apple, 1968)--it would benefit from consolidation of its best elements (as would a replacement of the amateurish cover design). Even so, this is still a deceptively ambitious piece of work. Of course, advanced thinking has virtually always ...
Continue ReadingRobby Ameen: Live at the Poster Museum
by Paul Rauch
There are pluses and minuses to all recordings, the attributes stacking up like cordwood due to the virtuosity of the musicians, the compositional value of the tunes and the basic, primary aim of the leader. In this case, the leader, virtuoso drummer Robby Ameen, blurs the line between Afro-Caribbean rhythms and swinging post bop jazz. His music mentions in a way, that the divisions we may see between the different elements of the music that became modern jazz in New ...
Continue ReadingClivia Tanisi: Love's Way Back
by Jim Worsley
It wasn't so much about “Learning How to Fly," as the opening track has it, as it was apparent that Clivia Tanisi still knew how to navigate in space. Tanisi took a twenty-year sabbatical to be a mom and raise her children. Singing proved to be like riding a bike, as she grooved into her lane, and fell in time with the other bikers. These were no weekend joy riders that Tanisi was pedaling with either. With drummer Dave Weckl, ...
Continue ReadingRobby Ameen: Diluvio
by Jack Bowers
It's a given that wherever Grammy-winning drummer Robby Ameen goes, irrepressible rhythm is sure to follow. Diluvio, Ameen's third album as leader of his own ensemble, is clearly no exception to the rule. Ameen's half-dozen compositions are intrepid and lively, and even Gerry Mulligan's “Line for Lyons" and John Coltrane's “Impressions," which seal the album, are given bright rhythmic makeovers in keeping with the leader's metrical frame of mind. To lend color and variety, Ameen employs a ...
Continue ReadingRobby Ameen: Diluvio
by Dan Bilawsky
Perhaps it's a flood of rhythm that the title and cover art refer to on this third leader outing from drumming dynamo Robby Ameen. A heavy hitter in Afro-Cuban circles for decades, Ameen's frangible linear Latin funk workouts, intricate rhythmic roadmapping, song-serving chops and good taste have earned him an overwhelmingly positive reputation. Everybody from musical polymath Ruben Blades to flutist Dave Valentin and pianist Eddie Palmieri to trombonist Conrad Herwig has called on Ameen multiple times over the years, ...
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