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The Bill Frisell Songbook: Part 2
by Ludovico Granvassu
Bill Frisell's instrumental voice is instantly recognizable, whether displaying its skronky side in John Zorn's Naked City or his sublime and delicate voicings infused of high-end Americana. Equally distinctive are his compositions which more and more of his peers have been incorporating into their repertoires, in a process of metabolization that goes back to the 1990s but—as it always happens for musicians whose style is so distinctive—started to really take off later in Frisell's career and is now reaching a ...
Continue ReadingThe Bill Frisell Songbook: Part 1
by Ludovico Granvassu
Every generation has a number of defining musicians who stand out for their innovations and distinctive voices. For us growing up musically in the 1980s and 1990s and interested in forward looking music, Bill Frisell is one of these foundational figures. His instrumental style is certainly unique and has shaped the way the following generations have approached the guitar, and--more and more so--his compositions are being embraced by his peers. His tunes integrate sources as diverse as country music, rock, ...
Continue ReadingCharles Lloyd: Tone Poem
by Eric Gudas
Charles Lloyd and The Marvels' April 2017 performance at UCLA's Royce Hall, with guest vocalist Lucinda Williams, was nothing but highlights--from Lloyd's dance moves across the stage as one or other of his bandmates soloed, to Williams' impassioned performances on such songs as Bob Dylan's “Masters of War" and Jimi Hendrix's “Angel." They also played a song by Beach Boys. ("In My Room"). But the night really got going when the band played about fifteen minutes of Ornette Coleman material, ...
Continue ReadingRon Miles: Rainbow Sign
by Mario Calvitti
Per il suo esordio su etichetta Blue Note, il trombettista Ron Miles riunisce nuovamente il quintetto stellare con cui aveva inciso il precedente I Am a Man, Bill Frisell alla chitarra, Brian Blade alla batteria, Jason Moran al piano e Thomas Morgan al contrabbasso. Il gruppo era a sua volta l'evoluzione di un trio con Frisell e Blade che aveva già realizzato due album, Quiver e Circuit Rider, per non parlare di Heaven in duo con Frisell oltre alle numerose ...
Continue ReadingCharles Lloyd & the Marvels: Tone Poem
by Vic Albani
Ecco il terzo lavoro di Charles Lloyd con i suoi Marvels, lo straordinario combo con Bill Frisell alla chitarra, Greg Leisz alla pedal steel guitar, Reuben Rogers al basso e Eric Harland alla batteria. Dopo I Long to See You del 2016 (con ospiti speciali come Norah Jones e Willie Nelson), e Vanished Gardens del 2018 (con -quella volta -un ospite speciale del calibro di Lucinda Williams) su Tone Poem Lloyd sceglie di lavorare senza ospiti e senza vocalist in ...
Continue ReadingWayne Horvitz: Live Forever Vol. 1: The President - New York in the '80s
by Vic Albani
«Numero 1 della Live Forever Series: una collezione di spettacoli dal vivo curata da Wayne Horvitz e Toby Dodds. Il volume 1 contiene un imperversante set dal vivo al CBGBs nel 1987, con un “who's who" della scena downtown NY degli anni '80. Altre tracce includono quattro demo, materiale mai pubblicato dalle sessioni al Power Station per l'album Bring Yr Camera, precedenti demo in studio del 1984, e materiale da due spettacoli dal vivo, sempre al CBGBs, nel ...
Continue ReadingCharles Lloyd and the Marvels: Tone Poem
by Mike Jurkovic
The download comes down the i-pipe in a virtual blue folder titled Charles Lloyd Tone Poem and the first thought upon initial listening is 'damn right it is'! It is a deceptively graceful covers album which immediately makes all the songs—many by none other than Ornette Coleman, Gabor Szabo and Leonard Cohen—their own highly active ecosystem of blurry form, focused response, and whatever else tickles Lloyd's fancy. Lloyd has been a genuine, spiritual force since the moment he ...
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