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Bill Evans: After Hours
by Ken Dryden
Bill Evans was strictly known as a pianist, though he studied flute throughout college, yet he claimed to have “no chops on the instrument." His only previously known vocal was recorded on a lark at the conclusion of a Monica Zetterlund recording session for Philips, consisting of a playful, hip take of “Santa Claus Is Coming To Town," which was never intended for release, but it finally appeared in The Complete Verve Recordings of Bill Evans boxed set in 1997. ...
Continue ReadingBill Evans: Hey Bill, It's Paul From Abbey Road
by Mike Jurkovic
Hot after the release of Bill Evans Live at Ronnie Scott's (2020), Resonance Records and the Estate of Bill Evans announced an extraordinary find, now in the final stages of being prepped as a two-disc set entitled Hey Bill, It's Paul from Abbey Road. Recorded off the cuff as a sort of mic-set-up time before the session started, McCartney, a natural instrumentalist in the middle of the four who were recording the defiant White Album, two releases are ...
Continue ReadingBill Evans: Live at Ronnie Scott's
by Mike Jurkovic
Bill Evans was always at home onstage. Live at Ronnie Scott's, Resonance Records' fifth Bill Evans archival offering, hits the same high marks as its predecessors--2012's standard bearer Live at Art D'Lugoff's Top of The Gate , 2016's Some Other Time: The Lost Session From the Black Forest, 2018's Another Time and 2019's Evans In England--majestically did. Do not let the dreaded tape hiss limit your listening. Recorded in '68, during a month-long residency at you-know-where, Evans--with the ...
Continue ReadingBill Evans: Bill Evans Live at Ronnie Scott's
by Stefano Merighi
Dobbiamo ringraziare la determinazione e la perseveranza di Zev Feldman, inesausto ricercatore di perle musicali dei grandi del jazz, pubblicate con fierezza dalla Resonance Records. Lo scavo assiduo riguarda in particolare Bill Evans, del quale sono già comparsi alcuni dischi con concerti inediti, cui si aggiunge questo Live at Ronnie Scott's che documenta esibizioni nel celebre club londinese del luglio 1968, quando per un breve periodo il trio di Evans era composto da Eddie Gomez e Jack DeJohnette.
Continue ReadingBill Evans: Bill Evans Live at Ronnie Scott's
by Pierre Giroux
The emergence of Bill Evans as one of the jazz world's preeminent pianists was propelled by a unmistakeable style: a pensive note striking with harmonic transpositions resulting in unique voicings. This 1968 recording marks the fifth collaboration between Resonance Records and the Bill Evans Estate to bring previously unreleased material into the public domain. This 2xLP limited edition in a gatefold sleeve was co-produced by Zev Feldman of Resonance and Jack DeJohnette and was beautifully mastered by Bernie Grundman. This ...
Continue ReadingBill Evans: Bill Evans Live at Ronnie Scott's
by Troy Dostert
All fans of Bill Evans, and piano trio enthusiasts generally, owe a huge debt of gratitude to Resonance Records, which over the last decade has released a formidable series of Evans discs featuring previously unreleased material (unless you count bootlegs). Beginning with Live at Art D'Lugoff's Top of the Gate in 2012, showcasing Evans' trio with bassist Eddie Gomez and drummer Marty Morrell, the pace really quickened several years later, when Some Other Time: The Lost Session from the Black ...
Continue ReadingBill Evans: Bill Evans Live at Ronnie Scott's
by Franz A. Matzner
Bill Evans: Live At Ronnie Scott's brings to mind the phrase “on the shoulders of giants." Evans's stature in jazz history is unassailable, his influence having touched much of the music's subsequent trajectories, while also establishing a new, discernable branch of the jazz tree traceable to the present-day. A two-disc package, Bill Evans: Live at Ronnie Scott's captures the relatively brief trio configuration of Eddie Gomez and Jack DeJohnette in the natural setting of a live club performance.
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