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Kenny Dorham: From 'Round Midnight At The Cafe Bohemia To Matador Revisited
by Chris May
In his mostly sane and admirable book Black Nationalism and the Revolution In Music (Pathfinder Press, 1970), Frank Kofsky describes Kenny Dorham as “house trained." The calculated insult attempts to conflate Dorham's respect for form and structure with an Uncle Tom outlook on the world. Some might say Dorham would have been justified in following (or, rather, anticipating) the example of the writer Stanley Crouch, who on spotting in a Manhattan restaurant a critic who had recently dissed one of ...
Continue ReadingEddie "Lockjaw" Davis with Shirley Scott: Cookin’ with Jaws and the Queen: The Legendary Prestige Cookbook Albums
by Mark Corroto
There is something undeniably hip about the four discs which make up Cookin' With Jaws And The Queen, the music by tenor saxophonist Eddie “Lockjaw" Davis and Hammond B3 organist Shirley Scott. Recorded in three sessions between June and December 1958, at Rudy Van Gelder's studio, which happened to be in his parents' home, the music deftly recreates the soul-jazz experience heard in nightclubs and maybe more significantly on jukeboxes. Davis made a name for himself in the ...
Continue ReadingEddie "Lockjaw" Davis and Shirley Scott: Cookin’ with Jaws and the Queen: The Legendary Prestige Cookbook Albums
by Jim Trageser
In a sign that the art of the box set continues to evolve, and that history never runs in a straight line, a lavishly produced box set of tenor giant Eddie “Lockjaw" Davis and organist Shirley Scott is being released not only on CD but on high grade vinyl LPs and downloads as well. Compare that to Bing Crosby's 1954 set, which came out on seventeen 45s in an actual box with a locking clasp and key.
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