Jazz Articles about Art Farmer

Art Farmer: Brass Shout/The Aztec Suite & The Time and The Place

by George Kanzler
August 14, 2008

Art Farmer Brass Shout/The Aztec Suite Blue Note 2008 Art Farmer The Time And The Place Mosaic 2008

The '50s and '60s were exceedingly bountiful in turning out accomplished trumpet players with personally memorable voices spanning the stylistic spectrum from Clifford Brown to Chet Baker. There were so many that tags ...

Something Old That's New: More Mosaic Singles

by C. Andrew Hovan
October 12, 2007

In just the past few years, Mosaic Records, king of the large boxed set reissue phenomenon, has diversified its efforts into several series that offer more opportunities to bring to light music that has been held in the vaults too long or has been done some sort of disservice in previous incarnations. The Select series serves as a smaller set of three discs perfect for projects with a smaller point of focus. The Contemporary series as its name implies touches ...

Art Farmer: Yesterday's Thoughts

by John Kelman
April 17, 2005

Possibly better-appreciated in the latter period of his life and after his death, Art Farmer, along with Clark Terry, was instrumental in bringing the flugelhorn, a mellow cousin of the trumpet, to the fore. Appearing on literally hundreds of recordings and releasing over seventy albums under his own name, he may have been the perfect definition of the journeyman musician--well-known in music circles, but a name that tended to elude the larger record-buying public for many years. Still, with a ...

The Art Farmer Quartet: ARTistry

by C. Michael Bailey
September 1, 2001

If the listener is hunting for a clinic on the flugelhorn, look no further.

Art Farmer, along with Clark Terry, might be the greatest exponent of the flugelhorn of the past two decades. Though a founder and leader (with Benny Golson) of the widely influential Jazztet, Farmer often found himself in the critical background. Fortunately, this is no more. Here, in Concord Records latest twofer is a couple of well-received early 1980s recordings Farmer made in a quartet setting, both ...

Benny Golson: One Day, Forever

by AAJ Staff
May 1, 2001

Benny Golson’s latest Arkadia release, One Day, Forever, arose from a taping of some of Golson’s previous band members from the Jazztet: Art Farmer and Curtis Fuller. At the end of a European tour, they were so rushed they that they didn’t record long enough to fill an entire CD. Arkadia owner Bob Karcy kept the tape in the can, and he and Golson kept that recording in mind, in the intervening five years, during which Farmer passed. After Golson ...

Art Farmer: Live at Stanford Jazz Workshop

by Joel Roberts
December 1, 1997

As he approaches seventy, Art Farmer, the most lyrical and elegant of jazz horn players, shows no signs of slowing down. On this live recording, made last summer at Stanford University, Farmer fronts an all-star quintet featuring California tenor giant Harold Land, drummer Albert “Tootie" Heath, bassist Rufus Reid, and seldom heard pianist Bill Bell. Playing the “flumpet," a custom-made cross between a flugelhorn and a trumpet, Farmer leads the veteran group through a set of standards including three Monk ...

Art Farmer: Live At Stanford Jazz Workshop

by Jim Santella
August 1, 1997

“The Professor" Art Farmer presented a set of straight-ahead jazz for the 25-year old Stanford Jazz Workshop last summer along with tenor saxophonist Harold Land, San Francisco area pianist Bill Bell, bassist Rufus Reid and drummer Tootie Heath. Although Farmer now resides in Vienna, the ensemble shares a working knowledge of hard bop common to many artists regardless of geographical area. Coming up on the Central Avenue scene in Los Angeles in 1945 and working with the ...