Jazz Articles about Andrew Neesley

About Andrew Neesley

Album Review

Bobby Sanabria: Arsenio and Beyond

Read "Arsenio and Beyond" reviewed by Jack Bowers

by Jack Bowers
June 9, 2026

Much of the music on Arsenio and Beyond was written by the trailblazing Cuban composer Arsenio Rodriguez, a master of the mandolin-like Cuban tres guitar who is credited among other innovations with creating the musical design that became known as son montuno. Rodriguez, drummer and bandleader Bobby Sanabria writes, was “the true Father of Mambo and Son Montuno," without whom “there is no salsa, Afro-Cuban jazz, or, many would even argue, rock or funk." Sanabria and his Multiverse ...

Album Review

David Whitman: Ode To Joe

Read "Ode To Joe" reviewed by Jack Bowers

by Jack Bowers
October 10, 2023

While West Coast drummer David Whitman's Ode to Joe [Henderson] is a rather brief one at less than thirty-three minutes, it is otherwise admirable for what is enclosed within its concise parameters. Whitman leads a well-schooled septet whose makeup is freshened by rotating tenor saxophonists Bob Sheppard and Rob Lockart and guitarists Bruce Forman and Chris Montgomery. Whitman and trumpeter Andrew Neesley share composer credits, and Neesley handles the arrangements, awakening warm memories of the Golden Age ...

Album Review

David Whitman: Ode To Joe

Read "Ode To Joe" reviewed by Richard J Salvucci

by Richard J Salvucci
September 17, 2023

Dipping into this fine recording is, to mix metaphors a bit, like opening a time capsule. That capsule is called One For All (A&M, 1990), perhaps the final studio recording of Art Blakey with The Jazz Messengers. It was not a perfect outing, but it was a memorable one. The lines got into the head and stayed there, just waiting for a chance to be reawakened. Well, now is the time with Ode to Joe. A convenient link between the ...

Album Review

The Seth Weaver Big Band: Truth

by Jack Bowers
May 8, 2020

Truth, the debut album by New York-based trombonist / vocalist Seth Weaver, has its ups and downs, most of which involve the leader himself. The “ups" enter the picture thanks to Weaver's five far-better-than-average compositions, the “downs" whenever he chooses to sing, as he does on three of eight numbers. Luckily, the pluses far outweigh the minuses, thanks in large measure to Weaver's admirable ensemble, a number of first-rate soloists and the above-mentioned compositions, which herald Weaver as a talented ...