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Jazz Articles about Adam Hersh

2
Album Review

Gabe Katell: Hear, It Is

Read "Hear, It Is" reviewed by Jack Bowers


After years of paying his dues by gigging around with groups large and small in southern California, baritone saxophonist Gabe Katell has recorded Hear, It Is, the first album with his name above the marquee, and an impressive one it is, both musically and strategically. To ensure its musical success, Katell enlisted the help of three top-notch side musicians--pianist Adam Hersh, bassist Kevin Axt, drummer Kevin Van Den Elzen--who together form a seamless unit that is communal and ...

4
Album Review

Mauricio Morales and Adam Hersh: Between Dreams and Twilight

Read "Between Dreams and Twilight" reviewed by Neil Duggan


Between Dreams and Twilight marks the first joint collaboration between Mauricio Morales and Adam Hersh. The pair became friends when Hersh gave Morales a lift home from the Continental Club in Los Angeles. Their album features nine pieces: three written by bassist Morales, three by pianist Hersh and three co-written. The duo keep excellent company; they are joined by vibraphonist Warren Wolf, guitarist Mike Moreno and drummer Gary Novak. The album also features the L.A.-based Rogue Lemon String Quartet. These are all musicians ...

2
Album Review

Adam Hersh: Tornado Watch

Read "Tornado Watch" reviewed by Nicholas F. Mondello


Tornado Watch is a uniquely attractive album from pianist Adam Hersh and his terrific sidemen. It offers ten tracks of intelligent, intensely-performed music. All the songs here are Hersh originals (save one) and each was recorded live in Los Angeles at the “Sam First" jazz club. “Woe V Shade," obviously a politically directed word play, is a multi-tempoed track with an eight-note theme over a frantic foundation. Hersh takes off on an extended and energetic Rhodes solo, ...

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Album Review

Will Lyle: L.A. Source Codes

Read "L.A. Source Codes" reviewed by Kyle Simpler


For computer programmers, a source code is a piece of computer language, which they are able to read and transfer and put to use in a practical way. With his debut album, L.A. Source Codes, bassist Will Lyle makes a connection between this concept and jazz. As with computer programming, jazz has its own language, and learning the language of jazz can be somewhat challenging. A skilled player, however, can take musical “source codes," such as chords, scales and arpeggios, ...


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