Jazz Articles about Abdullah Ibrahim

About Abdullah Ibrahim

Album Review

Abdullah Ibrahim: Mukashi Once Upon a Time

Read "Mukashi Once Upon a Time" reviewed by Maurizio Zerbo

by Maurizio Zerbo
March 10, 2014

Abdullah Ibrahim apre la sua musica verso gli orizzonti dell'Oriente, proiettandola in qualche traccia verso i suoni tradizionali del Giappone. Non è una scelta estetizzante, ma ben rispondente alla curiosità di un uomo che da 50 anni pratica le arti marziali e le filosofie orientali. Come ben dimostra la magnifica traccia finale del CD, i colori poliritmici della sua tradizione vengono messi da parte in favore di un jazz da camera raffinato ed introspettivo. Il pianoforte resta il punto focale ...

Album Review

Abdullah Ibrahim: African Piano

Read "African Piano" reviewed by John Kelman

by John Kelman
March 3, 2014

Chick Corea and Keith Jarrett are widely thought to have represented ECM Records' initial solo piano forays with Piano Improvisations, Vol. 1 & 2 (1971/1972) and Facing You (1972), respectively, but a lesser-known recording from 1969, unreleased until 1973 on ECM's sister label, JAPO, could be considered its true first. Originally released under Dollar Brand's birth surname as the South African pianist had yet to convert to Islam and become Abdullah Ibrahim, African Piano's reissue as part of ECM's Re:solutions ...

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Album Review

Abdullah Ibrahim & Ekaya: Sotho Blue

Read "Sotho Blue" reviewed by Raul d'Gama Rose

by Raul d'Gama Rose
April 16, 2011

The music of pianist Abdullah Ibrahim has lit up the world, shining brightly in the darkest recesses of the mind for decades. It has sung proud through the apartheid era, helping to clench the fist of protest tighter and the voice of human freedom sing louder. Now that the walls of segregation (at least in South Africa) have come tumbling down, Ibrahim's elementally beautiful melodies have begun to sound more tempered, his husky harmonies more bronzed, glowing with burnished colors. ...

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Interview

Abdullah Ibrahim: Perpetual Change

by Ian Patterson
March 21, 2011

For legendary pianist/composer Abdullah Ibrahim, music is always in a state of evolution. This philosophy is common to nearly all great composers, from [pianist] Duke Ellington to [trumpeter] Miles Davis and from [saxophonist] John Coltrane and [pianist] Ahmad Jamal to [guitarist] Bill Frisell. A piece of music is born, it grows and gradually matures but it never withers.And, like the Lesotho mountains, which, in part, inspired Ibrahim to revisit compositions--some of which he penned a quarter of a ...

Album Review

Abdullah Ibrahim & Ekaya: Sotho Blue

Read "Sotho Blue" reviewed by AAJ Italy Staff

by AAJ Italy Staff
March 4, 2011

Sono trascorsi quasi tre decenni da quando Abdullah Ibrahim presentò il progetto Ekaya nel disco omonimo del 1983: un settetto formato da tre sassofoni, un trombone ed una sezione ritmica con il leader al pianoforte. I componenti dell'organico originale sono ovviamente cambiati (ricordate? c'erano Dick Griffin al trombone, Carlos Ward, Ricky Ford e Charles Davis ai sassofoni mentre la ritmica comprendeva Cecil McBee al contrabbasso e Ben Riley alla batteria) e non è il caso di fare confronti. Lo spirito ...

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Album Review

Abdullah Ibrahim & Ekaya: Sotho Blue

Read "Sotho Blue" reviewed by Dan McClenaghan

by Dan McClenaghan
February 25, 2011

The pianist's name was Dollar Brand. He came out of a nascent South African jazz scene in 1959 with The Jazz Epistles, a group that included trumpeter Hugh Masekela. Though his profile has never reached Masekela-like heights--the trumpeter's fame shot sky high with a huge number one pop chart hit in 1968, “Grazin' in the Grass"--Dollar Brand, now known as Abdullah Ibrahim, has been creating vibrant jazz infused with African folk hues and rhythms for more than a half century.

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Album Review

Abdullah Ibrahim & Ekaya: Sotho Blue

Read "Sotho Blue" reviewed by Ian Patterson

by Ian Patterson
February 15, 2011

Pianist Abdullah Ibrahim's Ekaya is more an expression of the South African's musical philosophy than a fixed combo; musicians have come and gone and his collaborators have changed completely since its inception in 1983. Ekaya is not about personalities, but about music born of South Africa and the Afro-American experience. Speaking of Ekaya, Ibrahim states, “Its center is a universal code; regardless of where you go you remain at home." The septet clearly feels right at home with this reworking ...