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John Dikeman: Old Adam On Turtle Island
by John Sharpe
Committed improviser John Dikeman assembles a crack Amsterdam domiciled quartet to navigate Old Adam On Turtle Island, a song cycle that probes the intersections of colonization, religion, and their potential to inspire transcendence or tyranny. The framework is deliberately loose: a schematic more than a score, allowing the musicians to chart the course collectively. Themes emerge as insistent phrases rather than fixed melodies, serving as touchstones in a performance defined by ebb and flow. The first half moves ...
Continue ReadingDikeman / Hong / Lumley / Warelis: Old Adam On Turtle Island
by Mark Corroto
The creative community centered in Amsterdam, Netherlands, can be seen as the modern-day equivalent of a city once known as New Amsterdam--a 17th-century Dutch settlement that would eventually become New York City. Just as modern jazz flourished in mid-20th-century New York, some might argue that today's hotbed of creative music resides in old Amsterdam. Evidence for this can be found in Old Adam on Turtle Island, a stunning musical creation by a multicultural quartet. Led by American saxophonist ...
Continue ReadingAda Rave / Aaron Lumley / Onno Govaert: Bioluminus
by Mark Corroto
We can no longer refer to the music and creative Amsterdam scene with the title coined by author Kevin Whitehead as the New Dutch Swing. His 1998 book of the same name described the origins of the free jazz movement in The Netherlands and its now legendary masters such as Misha Mengelberg, Willem Breuker, Han Bennink, Eric Boeren, Ab Baars, Ig Henneman, Ernst Reijseger and Wilbert De Joode. Maybe a better label could be New Dutch Kings & Queens, as ...
Continue ReadingMarta Warelis / Frank Rosaly / Aaron Lumley / John Dikeman: Sunday At De Ruimte
by Mark Corroto
Is it a pilgrimage or just magnetism that draws improvising artists to Amsterdam? If you've read Kevin Whitehead's book New Dutch Swing (Billboard Books, 1998), you'll understand the open atmosphere and creative jazz scene which began there in the 1960s. It was a scene sown by America's New Thing in free jazz, but also one that developed its own unique language that incorporated Duke Ellington and Thelonious Monk. Amsterdam was also the intersection between the UK scene of Derek Bailey ...
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