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Darren Barrett: Deelings

by Dave Nathan
Darren Barrett, winner of the prestigious Thelonious Monk International Jazz Competition in 1997, is emerging as a leader in the New Bop movement, a jazz form that combines elements of hard bop (there is lots of that here), fusion and modal music. His second album has a musical agenda of mostly original compositions mixed with two standards.
Barrett is a monster trumpet player. But here he is hindered, and sometimes defeated, by most of the material he has chosen to ...
Continue ReadingDarren Barrett: Deelings

by Jerry D'Souza
To play with two masters of their craft certainly says a lot. It is not surprising, however, that Darren Barrett is now a member of the Elvin Jones Jazz Explosion, where he helps extend the perimeter of the band, and also has his time playing for Jackie McLean. That they should consider him worthy enough to be with them speaks volumes for his credentials.
Barrett's has grown as a player since the time of his debut album. His technique is ...
Continue ReadingDarren Barrett: Deelings

by Jack Bowers
This is the second J Curve release by trumpeter Darren Barrett, a relatively young firebrand who won the Thelonious Monk trumpet competition four years ago. As on the previous album ( First One Up ), what Barrett and his companions lay down sounds much like the Blue Note sessions from the ’50s and ’60s that featured such nimble–fingered players as Donald Byrd (who produced this album), Lee Morgan or Freddie Hubbard. Neo–bop? Call it what you will; there’s little doubt, ...
Continue ReadingDarren Barrett: Deelings

by Jim Santella
We are products of our environment. Darren Barrett chooses his. Strong influences have helped shape the trumpeter's sound, and he seems determined to allow nothing to affect his choices unless it's at the very top of the form. Clifford Brown's legacy appears through two classic ballads. Barrett has refined his tone quality to the point where few can match the purity. The rest of the program consists of the leader's hard-driving originals. Barrett's hard-hitting, energetic approach recalls Freddie Hubbard in ...
Continue ReadingAaron Goldberg: Turning Point

by Jack Bowers
A beautifully recorded session that really percolates. This is essentially a quartet date (Goldberg, Turner, Rogers, Harland) with Josh Redman sitting in for Turner on “The Shadow of Your Smile,” Cook adding wordless vocals on “Fantasy in D” and “Mom’s Tune,” and Kalé making it a quintet on “Jackson’s Actions.” There’s one trio track, Dizzy Gillespie’s luminous “Con Alma,” and Goldberg moves to Fender Rhodes on “Jackson’s Actions” and “Mom’s Tune.” Goldberg, a protégé of Betty Carter who turns 25 ...
Continue ReadingAaron Goldberg: Turning Point

by Jim Santella
Pianist Aaron Goldberg, who turns twenty-five at the end of this month, is one of those people who can do it all. You know the type: dean's list, first-string baseball player, student body president, lady's man, fixes his own car, fluent in seven languages, and still knows the value of a dollar. Now, I don't know those particulars on Goldberg; just made it all up on the fly. But you know the type; successful at whatever he does.
The pianist's ...
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