Jazz Articles
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The David Liebman Trio: Lieb Plays The Blues A La Trane
by Dan McClenaghan
Saxophonist Dave Liebman's rise into the jazz big time came from his stint in Miles Davis' band in the early seventies, playing soprano sax on the iconic trumpeter's often maligned but groundbreaking and excellent On the Corner (Columbia Records, 1972). It didn't hurt, profile-wise, working with drummer Elvin Jones, on Live at the Lighthouse (Blue Note Records, 1972). And, of course, the name Elvin Jones," in a degree of separation" mode, brings up John Coltrane, whom Liebman describes, in his ...
Continue Reading...Jazz Icons: Heroes, Myths and the Jazz Tradition
by Ian Patterson
Jazz Icons: Heroes, Myths and the Jazz Tradition Tony Whyton Hardcover; 219 pages ISBN: 978-0-521-89645-0 Cambridge University Press 2010 From relatively early in its history, the so-called jazz community was divided--sometimes bitterly so--over the definition of jazz, and more significantly, over ownership. That much hasn't changed. As academic Tony Whyton states in Jazz Icons: Heroes, Myths and the Jazz Tradition, jazz's history is usually presented as a ...
Continue Reading...Lola Danza: Vision Quest
by AAJ Staff
Lola DanzaVision QuestEvolver 2005 New York jazz singer and composer Lola Danza has a background in avant-garde jazz and, before that, in classical singing. Active on the New York scene since 2007, when she arrived from Boston and Berkelee School of Music studies, the singer has immersed herself in predominantly free jazz performance. Already attracted to the idea of free improvisation in Boston, Danza progressed to completely free expression with an album ...
Continue Reading...Anil Prasad: Inner Views, Borderless Perspectives
by Joe Lang
He may not be a household name and you likely won't hear him mentioned in music journalism classes alongside Robert Christgau, Lester Bangs and Anthony DeCurtis. But for those familiar with his work, Anil Prasad is considered among the most knowledgeable, provocative and forward-thinking music journalists in the world today. In 1994, Prasad was dissatisfied with the lack-of-depth and diversity found in the conventional music journalism landscape and struck out on his own to create Innerviews website, ...
Continue Reading...Matt Ulery's Loom: Flora.Fauna.Fervor
by Dan Bilawsky
The music on Flora.Fauna.Fervor might be dubbed episodic, if not for the fact that each new idea steadily evolves from what came before. Bassist Matt Ulery uses kaleidoscopic compositional methods that develop gradually, yet travel to wide-ranging places and often return home to roost. Endless permutations of instrumental combinations and stylistic possibilities are explored, with Ulery's stellar septet pulling the puppet strings and Ulery building the puppets. While this music employs two horn players that could easily ...
Continue Reading...Danielle Freeman: Dorian
by Mark F. Turner
With the poise of an opera diva and an ability to scat like Ella Fitzgerald, New York-based singer Danielle Freeman possesses a voice that commands attention with beauty and control on her debut, Dorian. Primarily a duet recording by Freeman and acoustic bassist Matt Wigton, the recording is an austere yet scintillating showcase of voice and instrument, crossing the borders of classical music, jazz improvisation, and modern composition.One of its more intriguing tracks, CuCuRuCuCu Paloma," draws inspiration from ...
Continue Reading...Koplant No: Koplant No
by Glenn Astarita
Produced in Iowa City, IA., Koplant No may allude to a research project, concentrated in the observation of alien life within a sector on a distant planet. Engineered with depth, space and mood-eliciting soundscapes, the quartet generates an oscillating jazz-fusion electronica schema, treated with melodic choruses, drifting motifs and beguiling storylines. Nothing is sugar-coated from a New Age-like standpoint, although there are plenty of sweet spots interspersed throughout the program. Here, saxophonist Joel Vanderheyden and trumpeter Brian Lewis Smith help ...
Continue Reading...Smalls Jazz Club: Live and So Much More
by Mark Corroto
After a few minutes talking with pianist Spike Wilner, Charlie Parker's quote about authenticity in music comes to mind: If you don't live it, it won't come out of your horn..." Actually, the entirety of Bird's thoughts best captures the art of Spike Wilner. Bird goes on to state: They teach you there's a boundary line to music. But, man, there's no boundary line to art."Wilner doesn't seem to have any boundary lines these days. The pianist-turned-club owner, ...
Continue Reading...Kellylee Evans: A Nod to Nina, Then Onward
by R.J. DeLuke
In a sense, singer Kellylee Evans was fast-tracked into her career in music, deciding relatively late in her still-young life that she would plunge into show business waters; waters that can sometimes be murky and beset with storms.When the Toronto, Canada-area woman made a decision to drop pursuit of a master's degree to pursue singing--a decision made after a near-death experience--it wasn't long before she was working on her first recording, an album created with the aid of ...
Continue Reading...Maya Nova: Open
by Ian Patterson
Bulgarian singer Maya Nova cut her teeth in pop, funk and jazz bands in her native Sofia, before relocating to Singapore in 2002. There, she successfully established her presence on the local jazz scene, in addition to holding the post of Main Study Voice Lecturer at the prestigious La Salle College of the Arts. Open, her debut recording, sees Nova wrapping her vocal chords around a selection of mostly standards, extracting the most out of familiar tunes with her surprising ...
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