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Radio & Podcasts

Hanna Paulsberg, Oddjob, Federico Calcagno, Daniel Zimmermann & More

Read "Hanna Paulsberg, Oddjob, Federico Calcagno, Daniel Zimmermann & More" reviewed by Ludovico Granvassu


Enjoy another playlist where we trade the same-old standards for future ones, which hopefully you'll be discovering here first.Happy listening!Playlist Ben Allison “Mondo Jazz Theme (feat. Ted Nash & Pyeng Threadgill)" 0:00 Oddjob “Up & Away" Atlas (Koyo) 0:16 Host talk 4:58 Daniel Zimmermann “Les maximiseurs de Pi" Snapshots (Label Bleu) 6:03 Host talk 10:51 Hanna Paulsberg Concept, Elin Rosseland “Himmel over Hav" Himmel over Hav (Grappa) 13:05 Federico Calcagno & The Dolphians “Wake Up Humanity!" ...

11
Album Review

Orlando Molina: Autorretrato en tres colores

Read "Autorretrato en tres colores" reviewed by Ian Patterson


Autoretratto en Très Colores--A Portrait in Three Colors--the debut of Venezuelan guitarist and composer Orlando Molina as a leader, and it is a work steeped in experience. Though recorded over two years, these compositions feel like the product of a much longer journey--one shaped by study, migration, and growth. The album traces the emotional arc of Molina's move from Venezuela to Ireland, carrying with it echoes of loss and distance, discovery and renewal. Melancholy and hope coexist throughout, bound by ...

5
Multiple Reviews

A Savoy Revival: New OJCs from Hank Mobley & Yusef Lateef

Read "A Savoy Revival: New OJCs from Hank Mobley & Yusef Lateef" reviewed by C. Andrew Hovan


Although the Concord Music Group acquired the legendary Savoy Records archives in 2017, the catalog has seen little reissue activity since. Founded in 1942 by Herman Lubinsky, Savoy earned distinction for documenting rhythm and blues, gospel, and jazz over several decades. The label captured many of bebop's pioneering voices--Charlie Parker, Dexter Gordon, Kenny Clarke, and Dizzy Gillespie, among them--on a series of landmark recordings. By the mid-1970s, Savoy endured a turbulent stretch of shifting distribution deals, first aligning ...

4
Album Review

Atlantis Quartet: Live at Berlin

Read "Live at Berlin" reviewed by Kyle Simpler


Since arriving on the scene in 2006, the Minneapolis-based Atlantis Quartet has established itself as a vital voice in modern jazz. With five albums already under their belt, the group continues to honor tradition while exploring new sonic territory. Live at Berlin captures their remarkable group chemistry during an engagement at the city's newest jazz venue, Berlin. Atlantis Quartet features four of Minnesota's most exciting jazz musicians: saxophonist Brandon Wozniak, guitarist Zacc Harris, bassist Chris Bates and drummer ...

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Play This!

Luca Curcio: Fisk

Read "Luca Curcio: Fisk" reviewed by Ludovico Granvassu


You know you're in for a good day when extraordinary music lands in your headphones completely out of the blue. That's how I stumbled upon the remarkable debut album by bassist Luca Curcio, Bomba (Boomslang Records), through a chain of insignificant coincidences.What struck me most is the ease with which his Italo-Scandinavian quintet--Erik Kimestad (trumpet), Sölvi Kolbeinsson (alto saxophone), Francesco Bigoni (tenor saxophone), and Simon Olderskog Albertsen (drums)--manages to sound both deeply rooted in the tradition and strikingly ...

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Album Review

John O'Gallagher: Ancestral

Read "Ancestral" reviewed by Dan McClenaghan


Saxophonist John O'Gallagher keeps moving east in his search for musical expression. Born in Anaheim, California, before relocating to New York City and living there for thirty years, he finds himself (in 2025) in Lisbon, Portugal. He boasts a played with/recorded with resume to knock the proverbial socks off (Joe Henderson, Tony Malaby, Maria Schneider, Kenny Wheeler, and more). He also dived John Coltrane's late period explorations--Interstellar Space (Impulse!, 1974) and Stellar Regions (Impulse Records, 1967), From this Coltrane-ian immersion, ...

4
Liner Notes

Melvin Rhyne: Tomorrow Yesterday Today

Read "Melvin Rhyne: Tomorrow Yesterday Today" reviewed by C. Andrew Hovan


A disciple of some of the earliest jazz organ practitioners, such as Jackie Davis, Milt Buckner, and Wild Bill Davis, jazz veteran Melvin Rhyne's major claim to fame has been the five years he spent with the renowned Wes Montgomery in the early '60s. Yet this is really only a fraction of the story for the 67-year-old organist. Much like the proverbial hibernating bear, Rhyne kept a low profile throughout the '70s and '80s and he even told writer Pete ...

4
Album Review

Jan Bang - Arve Henriksen: After The Wildfire

Read "After The Wildfire" reviewed by John Eyles


Jan Bang is a musician, composer and record producer who was born in August 1968, in Denver, Colorado, but grew up in Kristiansand, Norway. Arve Henriksen is a trumpeter, vocalist and composer who was born in March 1968, in Stranda, Norway. For the 42nd Skopje Jazz Festival in 2023, Bang and Henriksen were commissioned to work together on new music. The result was After the Wildfire. It was first performed at the Festival with Bang on live sampling and electronics, ...

3
Radio & Podcasts

James Suggs, Ted Rosenthal, Steve Houghton & Sacha Boutros

Read "James Suggs, Ted Rosenthal, Steve Houghton & Sacha Boutros" reviewed by Joe Dimino


We step boldly into the 931st episode of Neon Jazz with the brilliant artist, singer, and peace activist Sacha Boutros, spotlighting her enchanting new 2025 release, Paris After Dark--a record brimming with elegance, emotion, and late-night allure. Keeping with the Halloween spirit, we spin Heather McKay's hauntingly fun track “Boo" from her 2025 album Life Got in the Way. The journey continues through the sounds of veterans and jazz luminaries like Neil Gray, Ted Rosenthal, Irving Flores, James Suggs, and ...

3
Radio & Podcasts

The Long Shadow of Steely Dan

Read "The Long Shadow of Steely Dan" reviewed by Patrick Burnette


It's been a hot minute since the boys did a “pop" episode, but given this very special installment is devoted to jazz-rock gods of the seventies Steely Dan, maybe this doesn't count. The Dan's somewhat controversial 1980's sign-off gets a good look in and then various tributes are dissected, with Pat arguing that jazz musicians need to take the kid gloves off when confronting this most seminal of cross-over hit-makers. Also, Keith Jarrett called and he wants his royalties.


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