Jazz Articles
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The Necks: Vertigo
by Dave Wayne
Permit me a moment on a soapbox. Improvisation is merely a process, just as composition is a process. It is simply a way to organize sound. There are no imperatives, no agendas. Just spontaneity and interaction. Contrary to what's been drilled into your head over the years, improvisation doesn't necessitate harsh" or abrasive" sounds. In the early days of freely improvised jazz, harsh and abrasive sounds were common currency as the development of the style was steeped in the energy ...
Continue Reading...Fabrice MOURLON Quartet: Facing the Lough
by Karl Ackermann
Trained early in his career as a pianist, the French artist Fabrice Mourlon later joined a vocal jazz class at the Paris suburb Pantin School of Music. In 1994 he trained as a vocalist with Italian singer Valentina Casula and was a member of her workshop for the next half-decade. He met pianist Richard Razafindrakoto, bassist Emmanuel Brunet and drummer Thierry Tardieu in 2001 and the four would eventually solidify as a quartet playing various jazz clubs in Paris and ...
Continue Reading...2015: The Year in Jazz
by Ken Franckling
The year 2015 was a curious blend of ups and downs, with glimmers of optimism offset by its losses. Venues opened to great fanfare, but others closed for a variety of reasons. UNESCO's International Jazz Day became firmly entrenched as the exclamation point on Jazz Appreciation Month activities in April. Daily arts journalism took a hit with music writers leaving significant newspapers. A prominent trumpeter found himself under FBI investigation for program funding in New Orleans. The jazz world again ...
Continue Reading...Dr. Lonnie Smith: Evolution
by Dan Bilawsky
Artist repatriation seems to be something of a theme in the Don Was era of Blue Note Records. In 2013 there was the return of saxophonist Wayne Shorter, a jazz giant who delivered many of his landmark '60s albums on this storied imprint. Then, in 2015, Charles Lloyd left ECM for Blue Note, a label that had previously held one Lloyd album in its portfolio. Now, as 2016 arrives, organist Dr. Lonnie Smith returns to the fold. ...
Continue Reading...Marnix Busstra: Firm Fragile Fun
by Dave Wayne
Let's get one thing out of the way: guitarist and leader of the eminently capable quartet featured on Firm Fragile Fun Marnix Busstra sounds a great deal like John Scofield. Busstra's tone, phrasing, attack, and even his choice of guitar parallel those of the celebrated solo artist and ex-Miles Davis plectrist. When he digs into the second-line strutter Fun" and the blues-based ballad Smoky," he could provide a real challenge for someone being subjected to one of those DownBeat Blindfold ...
Continue Reading...Randy Bernsen: Grace Notes
by Geannine Reid
Grace Notes is a tasteful album, chalked full of fresh, creative compositions by guitarist Randy Bernsen. If you like the Rippingtons, Weather Report or the Yellowjackets, you will love this CD, too! As a composer and player, Bernsen possesses a unique creative vibe that does combine a wonderful grace" that you can hear in every note he plays or writes. His cool, yet extraordinary talent is augmented by an all-star cast including: Yellowjackets co-founders Jimmy Haslip and Russell Ferrante, drummers ...
Continue Reading...Urs Leimgruber - Alex Huber: Lightnings
by Glenn Astarita
Wide Ear Records is a nascent Swiss experimental jazz label, co- founded by drummer Alex Huber who performs here, in a duo setting with his fellow countryman and eminent improviser, saxophonist Urs Leimgruber. Hence, the musicians generate some cerebral merry-making on this set via the saxophonist's gyrating and stunted battle cries and the customary call and response processes, integrated with Huber's highly musical approach. The 4 tracks spawn a hodgepodge of torrential downpours and quieter parts, constructed on menacing flows ...
Continue Reading...Simon and Garfunkel: The Complete Columbia Albums Collection
by Nenad Georgievski
Simon and Garfunkel The Complete Columbia Album Collection Music on Vinyl 2015 Probably the most celebrated duo in pop folk music, Simon and Garfunkel, were the essence of harmony. The duo's voices are definitely one of the most cherished sounds of the '60s. Their harmonizing game, where their voices sang complementary melodies that were joined by rhythm, phrasing and tone, all blending into a new melody, was truly supernatural. Influenced by the Beatles, the ...
Continue Reading...Duke Jordan: Flight to Jordan - 1960
by Marc Davis
If this isn't a perfect hard bop record, it comes awfully close. And coming from an artist who is virtually forgotten, it's all the sweeter. Duke Jordan was an A-list pianist who was there at the birth of bebop. He was part of Charlie Parker's classic quintet in 1947. So why don't we know his name the way we know Thelonious Monk's or Bud Powell's? My guess is Jordan just didn't have the personality to be ...
Continue Reading...Pawel Kaczmarczyk Audiofeeling Trio: Something Personal
by Ian Patterson
For fans of Pawel Kaczmarczyk it's been a lengthy wait for a follow-up to Complexity in Simplicity (ACT Music, 2009), his sole recording for Siggi Loch's label. Six years seems like too long a gap for such a prodigiously talented performer and composer but this extended stewing period sees the Krakow pianist return in absolutely splendid form with Something Personal, his fourth album as a leader. On Complexity in Simplicity Kaczmarczyk was bursting with ideas, harnessing a dozen of Poland's ...
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