Jazz Articles
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Orquesta Akokán at The Freight
by Roy Strassman
Orquesta Akokán The Freight & Salvage Live performance Berkeley, CAAugust 7, 2026 Orquesta Akokán had just flown in from its European tour and was playing the first of its Bay Area weekend performances at Berkeley's Freight & Salvage, currently called The Freight." They hit the ground running with Con Altura," (With Altitude), a seeming oxymoron, were it not that the band simply took off again, filling the dance floor until the final adios" some ...
Continue ReadingLionel Loueke: Actual Proof
by Geno Thackara
Adapting a little Herbie Hancock material is manageable enough for anyone with solid instrumental skills. Doing it without a piano might be a bit more tricky. Adapting it for solo guitar and voice is another challenge entirely, but his longtime sideman Lionel Loueke is more than up to the challenge, not just mastering the song forms but using his innate rhythmic roots to both grasp the melody and bring the funk. ...
Continue ReadingOliver-Smith Incomparables: Stomp Your Stuff
by Jack Bowers
Although he was best known as a pianist, the late Jelly Roll Morton was never shy when it came to blowing his own horn. Among Morton's claims was that he had invented" jazz, an assertion that almost surely stretches the truth but is virtually impossible to disprove. What is known is that Morton was playing a form of jazz as early as 1904 and that he and a later band, the Red Hot Peppers, helped place hot jazz" on the ...
Continue ReadingBrian Bromberg: Top Down
by Geno Thackara
One might not think there are many places to find a new wrinkle to instrumental guitar rock, but Brian Bromberg manages it on an interesting technicality: not using any guitars. For this 2005 highway cruise, he doubles himself on electric five-string and high-tuned piccolo bass, making a trio" outing full of wild grooves and sweet fuzz tones that continually sound just a bit different from your usual axe-fest. ...
Continue ReadingEnoch Smith Jr.: This Is What Love Does
by D.W. Long
When the medium artists use is typically wordless, how do they tell their story? Pianist Enoch Smith Jr.. has confronted this question, turned it over, and not only accepted the challenge, but mastered it. In a follow-up to The Book of Enoch Vol. 1 (Misfitme Music, 2025), Smith continues to joyfully tell his tale through This is What Love Does, his 2026 release. Conceived and executed as an acoustic trio album, the project's nine songs--of which seven are originals--explore family, ...
Continue ReadingSullivan Fortner: Leave That In There
by Pierre Giroux
Sullivan Fortner has never been an artist short on ideas. But Leave That In There feels different. It is the sound of a musician who has distilled everything he has absorbed from his deep well of Gulf South upbringing, from the piano giants and from spirituals and street parades, into his own language. It is easily his most personal record to date, a musical scrapbook of memories, ancestry, humour, grief, and resilience. The title draws on Spike Lee's ...
Continue ReadingAzar Lawrence, Brad Mehldau, The Bad Plus, Joshua Redman And More
by Lawrence Peryer
I am endlessly interested in the intersection of music and ritual. Formal ritual, spiritual gatherings incorporating music, even liturgical music. Then there are the rituals of making music: the band silently setting up and breaking down, on-stage and in the studio. The order in which gear gets assembled and plugged in. The in-jokes or running gags. All of these things contribute to creating a space for magic to happen. This week, the conjuring comes from Koen Holtkamp, Guest Bartender Deborah ...
Continue ReadingDave Frank
by Daniel Peck
Dave Frank is one of the busiest solo jazz pianists and music educators on the scene today. He is the author of the best-selling Hal Leonard book and video series, Joy of Improv and Breakthrough to Improv, was an Associate Professor of piano at Berklee College of Music in Boston from 1987-2004, and was a co-founder of the New York School of Jazz. His involvement in the Dave Frank School of Jazz in New York is kind of ...
Continue ReadingChapter 3: Manic in Manhattan
by Larry Slater
Artie Shaw was an enigma. A self-taught, brilliant clarinetist blessed with movie-star good looks, he became one of the defining musicians of the Big Band era. Yet at the height of his fame, he walked away from the music business, leaving behind a legacy as fascinating as it was influential. In the early '90s, Ted Hallock--a passionate jazz scholar and former Oregon state senator--spent a week with Shaw recording an extraordinary series of in-depth conversations about music, life ...
Continue ReadingElias Haslanger: Music for 2026, Not 1956
by Hank Hehmsoth
Tenor saxophonist and composer Elias Haslanger has spent much of his career carrying several generations of jazz history at once. An Austin native and longtime presence on the Central Texas jazz scene, he has absorbed lessons from mentors including Ellis Marsalis, Dr. James Polk and Maynard Ferguson while developing his own identity as a bandleader and composer. Legacy (Bandstand Presents, 2026), his ninth recording as leader, was released July 24 and features ten original compositions performed with trumpeter and flugelhornist Mike Sailors, pianists Andy ...
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