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35 Days in May: Bo Bo Bazinsky In the Bronx
by C. Michael Bailey
One of the most attractive things about jazz in the 21st Century is its polyglot nature. No longer is it the music of the classic trumpet-tenor saxophone quintet playing transmogrified blues and show tunes. Today, influences as disparate at Eastern Indian drones and Karl Stockhausen electronica, are tossed into the beaker on the stir plate with the rate at 1000 rpm. It's rare to find anyone who takes greater glee in shattering the jazz status quo than pianist Jeff Kaye, ...
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