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Sigurd Hole ensemble: Extinction Sounds
by David Bruggink
Sigurd Hole has proven himself a composer to watch with a string of releases blurring the lines between chamber jazz, modern classical composition and experimentation, often feeling more like organic transmissions than conventional songs. His solo double album Lys / Mørke (Self Produced, 2020) was recorded on the isolated Norwegian island of Fleinvær, and brings the intonations of its birds and biting winds into conversation with the similarly textural manipulations of his bowed and plucked bass. On the striking ensemble recording Roraima ...
Continue ReadingSigurd Hole: Elvesang
by John Kelman
Sigurd Hole has already built a strong reputation, in his native Norway, for his work with Eple Trio on albums including The Widening Sphere of Influence (NORCD, 2008), in addition to the trio's collaborations with NORCD label head/saxophonist/goat horn master Karl Seglem on albums like NORSKjazz.no (NORCD, 2012). The double bassist has also collaborated with guitarist Jon Eberson (criminally undervalued outside of Norway) and pianist Helge Lien, and has built a busy schedule as a recording and touring musician, in ...
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