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Donald Rubinstein: Martin
by Dave Wayne
Jazz doesn't typically play a huge role in horror film soundtracks. Sure, there are exceptions. Jazz guitarist Joseph LoDuca scored Sam Raimi's adaptation of Stephen King's The Evil Dead. Giorgio Gaslini's collaboration with the prog-rock group Goblin on Dario Argento's Suspiria certainly has some jazz-related elements, as does the work of Krzysztof Komeda (Rosemary's Baby), Bruno Nicolai, Ennio Morricone, and other European film composers. Sleazy funk and warped psychedelia are plentiful in the genre. Take, for example, the soundtrack to ...
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