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Jazz Articles about Rich Brown
About Rich Brown
Instrument: Bass, electric
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by Glenn Astarita
The EWI (Electronic Wind Instrument) was popularized in the 1980s by the late sax great Michael Brecker, and allegedly is a difficult instrument to learn because the buttons are touch sensitive and its sound bank possesses the characteristics of multiple woodwind instruments. Moreover, the EWI contains a controller and a sound module and is not simply an electronic sax device. But highly regarded saxophonist Dayna Stephens seems to have surmounted any hurdles and conveys a rather all-inclusive scope on this ...
read moreLara Solnicki: The One And The Other
by Alberto Bazzurro
Questo è il terzo album, dopo Whose Shadow?, del 2014, e A Meadow in December del 2011, a nome della cantante canadese (di Toronto) Lara Solnicki, presenza tutto sommato piuttosto anomala nel variegato panorama delle jazz singers per svariati motivi, che cerchiamo di sintetizzare. Anzitutto lei canta e dice (si definisce cantante-compositrice-poetessa), ma non su un terreno contemporaneo-aleatorio-concreto, come si potrebbe immaginare, bensì lungo brani perfettamente predefiniti, per attraversare i quali si affida alle cure di gruppi numerosi (ieri un ...
read moreLara Solnicki: The One And The Other
by Jerome Wilson
Lara Solnicki is a Canadian poet, composer and singer who combines all her talents strikingly on this album, marrying her words to a dense fabric of free-flowing jazz and improvisation. Solnicki bends her voice well to the requirements of each composition. On the singsong rhythm of “The Embrace," she sounds sensitive but slightly detached against falling piano and electronic whispers, while, on the cinematic construction of “Bit Her Sweet Christopher Street," her voice climbs through a busy tangle ...
read moreLara Solnicki: The One And The Other
by C. Michael Bailey
Among feelings are nervousness and anxiety. While synonymous in any thesaurus, the two words differ in the same way that thankfulness and gratitude differ, that is, in focus. Nervousness and thankfulness often have no focus, no definite object creating them. Anxiety and gratitude are those feelings, those reactions to the specific. Something clearly gives rise to them. With regards to anxiety and disquiet, Canadian vocalist and composer Lara Solnicki uses “free jazz" and poetry as the stimulus for generating a ...
read moreErnesto Cervini: Tetrahedron
by C. Michael Bailey
Matthew Zapruder, in his book Why Poetry (HarperCollins, 2017), draws an informative parallel between reading poetry and listening to classical music: ...the act of treating poetry like a difficult activity one needs to master can easily perpetrate ... mistaken, and pervasive, ideas about poetry that make it hard to read in the first place. Like classical music, poetry has an unfortunate reputation for requiring special training and education to appreciate.... This same reasoning applies to jazz, ...
read moreErnesto Cervini: Tetrahedron
by Friedrich Kunzmann
A tetrahedron is a pyramid with a triangle base, thus a three dimensional shape consisting of four triangle faces. On the cover of his newest undertaking as a leader, Canadian drummer Ernesto Cervini uses this shape as an analogy to his working trio inviting a fourth member to the party. In this case the fourth person is New York-based guitarist Nir Felder, whom Cervini had met during his time studying at the Manhattan School of Music, between 2003 and 2007. ...
read moreJacek Kochan & musiConspiracy: Occupational Hazard
by Franz A. Matzner
Polish-born and current Canadian Jacek Kochan's 22nd release as a leader, Occupational Hazard, exists at the crossroads of straight ahead and electric jazz. A drummer, composer and arranger, Kochan has played with a variety of musicians over the course of his long career. On Occupational Hazard he leverages this broad experience to bring together an unusual mix of instrumental and vocal talent, establishing an intriguing blend likely to appeal most to fans of accessible tunes dominated by guitar ...
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