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Jazz Articles about Rick Rosato
About Rick Rosato
Instrument: Bass, acoustic
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by Jack Bowers
Covers is a quartet date in which New York-based tenor saxophonist Lucas Pino “covers" half a dozen generally pleasing songs written by his contemporaries, alongside one each by Charlie Parker ("Relaxin' at Camarillo") and Duke Pearson ("New Girl"). Pino's smooth, articulate tenor saxophone is reinforced by guitarist Alex Goodman, bassist Rick Rosato and drummer Allan Mednard. This represents something of a departure for Pino who usually records with larger groups--including his No Net Nonet--and seldom covers other ...
read moreItamar Borochov: Arba
by Jerome Wilson
Trumpeter Itamar Borochov is originally from the Middle East but is part of the New York jazz scene. He plays a quarter-tone trumpet which helps bring an unusual expressiveness and calm to his sound, This is well-suited to the music he plays which is steeped in the chords and scales of the Mediterranean area where he grew up. Tracks such as “Abraham" and “What Broke You?" spotlight the ethereal beauty of Borochev's sound as he broods over Rob ...
read moreJoel Ross: The Parable Of The Poet
by Chris May
The story of jazz is part musical and part social, the two strands interacting to shape, on one hand, the sound we hear and, on the other, the demographic who make it and constitute its audience. Viewed from London, the semiology surrounding New York-based vibraphonist Joel Ross' octet, heard on his third Blue Note album, The Parable Of The Poet, tells a social story as much as it does a musical one. The octet's optics (check the ...
read moreRoxy Coss: Disparate Parts
by Mike Jurkovic
Let's just get thing one out into the open right away: Disparate Parts has plenty of balls to spare. Saxophonist Roxy Coss' acute, teasingly biting tone and rich, no boundaries disposition to composing and jamming has placed her high in the generational echelon of new and challenging players. She willingly and unapologetically blends and blurs the lines to suit any and all missives, and the fourteen fireballs heard loud and clear on Disparate Parts broach nothing less. Commandeering ...
read moreGabriel Vicéns: The Way We Are Created
by Mark Sullivan
Puerto Rican jazz guitarist & composer Gabriel Vicéns has been living in New York City since 2016 but, for this album, he chose to explore traditional Puerto Rican music (Bomba and Plena—music and dance styles born from African slavery and Caribbean influences) blended with his own compositional style. He was also exposed to Cuban Changüí, and began incorporating some stylistic devices from it into his guitar playing. The title tune begins the program with an infectious ostinato pattern ...
read moreAlex Goodman: Impressions in Blue and Red
by Angelo Leonardi
Con questo splendido doppio album, Alex Goodman esce dal limbo dei talentosi chitarristi emergenti per entrare a pieno titolo tra i solisti e compositori più interessanti del jazz contemporaneo. Era proprio ora. All'età di 34 anni, con sette dischi da leader e prestigiosi premi internazionali (tra cui la vittoria al Montreux International Jazz Guitar del 2014), il chitarrista e compositore canadese ottiene i meritati riconoscimenti della critica con un'opera particolarmente matura. Un concept album che vuol associare ...
read moreYaniv Taubenhouse: Moments In Trio Volume Three: Roads
by Mike Jurkovic
Remember the excitement you first felt drawing circles as a kid? That profoundly innocent sense of being able to construct anything inside, outside, on, or upon those circles? Faces, trees, noses. Birds. bees, roses. A wide, westward, indigo sky. A fathomless blue ocean of liquid imagination. That's what it's like when you fully and gratefully engage with NYC based pianist/composer Yaniv Taubenhouse's third go round Moments In Trio Volume Three: Roads. With his fiercely limber rhythm mates, bassist ...
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