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Jazz Articles about Jennifer Vincent
About Jennifer Vincent
Instrument: Bass, acoustic
Related Articles | Concerts | Albums | Photos | Similar ToAndy Farber and His Orchestra: Early Blue Evening
by Jack Bowers
Saxophonist Andy Farber's New York-based orchestra came together and cut its teeth as the onstage band for three hundred performances of After Midnight, a Broadway revue that paid tribute to Jazz Age nightclub luminaries from Duke Ellington, Jimmie Lunceford and Count Basie to Harold Arlen, Dorothy Fields and Jimmy McHugh. As one might presume from the orchestra's provenance, echoes of Ellington and Basie can readily be discerned on its first recording since After Midnight closed in 2014--but Farber, who wrote ...
read moreRez Abbasi: A Throw of Dice by The Silent Ensemble
by Alberto Bazzurro
Rez Abbasi, classe 1965, pakistano di nascita ma californiano d'adozione fin dalla più tenera età, è il principale protagonista di questo album (che del resto reca la sua firma in calce), giocato nel segno di una musica di sicuro referente jazzistico, però con forti infiltrazioni etniche, com'è del resto usuale nel chitarrista (del quale, en passant, segnaliamo anche Oasis, a doppia firma con l'arpista francese Isabelle Olivier, inciso in quartetto su Enja l'anno dopo questo A Throw of Dice, 2018 ...
read moreRez Abbasi: A Throw Of Dice
by Friedrich Kunzmann
No matter what style of music Rez Abbasi tackles, he always makes it sound exciting, fresh and uniquely his own. The American guitarist and composer is known for his individual spin on jazz, which is as deeply rooted in western jazz doctrine as it is in traditions of his Pakistani heritage. Be it in the context of Indo-American fusion group Invocation—the outfit in which he plays alongside fellow like-minded contemporaries Rudresh Mahanthappa and Vijay Iyer—or in the wake of his ...
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by Dan McClenaghan
Rez Abbasi has written a score for a 1929 movie—not an everyday jazz endeavor, but that is what the guitarist/composer does with his thirteenth recording. This after-the-fact soundtrack composing, though rare, is not unprecedented. In 2015 guitarist Aram Bajakian wrote and self produced a recording--an unofficial soundtrack--to the 1969 Soviet film The Color Of Pomegranates, an exploration of the life of the Armenian poet, Sayat-Nova. Abbasi, for his inspiration, writes a score for the vintage black and white ...
read moreMonika Herzig: Sheroes
by Jim Worsley
Composer and pianist Monika Herzig embarks on carefully scored passages against a bevy of broad sonic palettes on her 2018 release Sheroes. Herzig has long championed female empowerment in jazz, as well as other forms of music. For Sheroes she assembled an international cast featuring many of the finest musicians in the world. A total of nine musicians, including Herzig, brought their wealth of talent and band leading skills into the studio. The results are rewarding and sophisticated ...
read moreMonika Herzig: Sheroes
by Hrayr Attarian
Pianist and composer Monika Herzig pays tribute to women in jazz, on her captivating Sheroes. The artistically superlative, all-female band explores various cadences, harmonies and moods on this exquisite album, all the while deftly maintaining thematic unity. Eight of the tracks are originals by ensemble members, and two are Herzig-arranged covers. These are the traditional “House of the Rising Sun" and singer-songwriter Valerie Simpson's (of Ashford/Simpson fame) classic “Ain't No Mountain High Enough." The latter opens ...
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