Jazz Articles about Keefe Jackson

Erb/Lonberg-Holm/Jackson/Reid: Duope

by Giuseppe Segala
May 15, 2014

Fred Lonberg-Holm e Christoph Erb avevano già registrato in duo nel 2011 per l'interessante etichetta svizzera Veto Records/Exchange, gestita dallo stesso Erb, il CD Screw and Straw: ora la formula che abbinava violoncello e clarinetto basso (in quel caso anche sax tenore) viene semplicemente raddoppiata, con l'inserimento di Keefe Jackson ai clarinetti basso e contrabbasso, e di Tomeka Reid al violoncello. Ne nasce un singolare quartetto, un caleidoscopio di possibilità timbriche ed espressive, nonostante l'organico simmetricamente diviso tra due ance ...

I 10 CD nel CD-Player di... Keefe Jackson

by Vincenzo Roggero
May 15, 2014

01. Luigi Nono--A Carlo Scarpa/A Pierre/Guai ai gelidi mostri (Edition RZ-1990). Nono è un grande esempio di come un artista ed il suo lavoro possano essere “politici" senza contraddizione tra l'essere artista e l'essere politico. Molti cambiamenti del ventesimo secolo sono profondamente ed in maniera esauriente riflessi nel suo lavoro. È sempre stimolante ascoltare la sua musica ed immaginare come questi suoni siano connessi alla sua percezione/visione del mondo. 02. Clusone 3-Soft Lights and Sweet ...

Keefe Jackson’s Likely So: A Round Goal

by Libero Farnè
May 15, 2014

Anomalo, importante, problematico questo CD che testimonia una tappa ambiziosa nella ricerca dell'emergente Keefe Jackson. Registrato nel febbraio 2013 al Jazzwerkstatt Festival di Berna, vede la collaborazione fra tre improvvisatori chicagoani (Dave Rempis e Mars Williams oltre allo stesso Jackson), tre svizzeri (Thomas K. J. Mejer, Peter A. Schmid e Marc Stucki) e il polacco Waclaw Zimpel. La formazione è decisamente intrigante e poco usuale: un settetto di sole ance. Il pensiero corre automaticamente ai numerosi quartetti ...

Keefe Jackson’s Likely So: A Round Goal

by Hrayr Attarian
December 8, 2013

Chicago based multi-instrumentalist and composer Keefe Jackson's intriguingly innovative live album A Round Goal is a modern choral symphony of sorts. Recorded during the Jazzwerkstatt festival in Berne Switzerland on February 20, 2013 Jackson utilizes, in lieu of human voices, woodwinds of various ranges creating brilliantly dramatic music. Western classical influences are apparent, throughout. On “There Is No Language Without Deceit" Polish clarinetist Waclaw Zimpel's agile, stimulating sonic dance emerges from a tightly woven backdrop of alternating refrains ...

Keefe Jackson and Aram Shelton: Seeing You See and Two Cities

by Clifford Allen
May 29, 2010

The city of Chicago continues to find itself in a jazz renaissance well into the waxing years of the 21st century--a status that many of America's cities can't easily lay claim to. With the pedigrees of individual improvisers and composers like reedman Ken Vandermark and flutist Nicole Mitchell well established in the 1990s, a slightly younger generation of players has assembled things in their wake, on both the North and South Chicago axis.

The most individual voices to step out ...

Keefe Jackson Quartet: Seeing You See

by Troy Collins
May 5, 2010

The vibrant Chicago jazz scene has been home to many impressive young artists, most of whom collaborate in a rotating roster of collective ensembles. This communal approach has yielded a deep pool of talented individuals intimately familiar with each other's working methods, providing them with a sort of regional shorthand. Multi-reedist Keefe Jackson is one such up and coming Windy City resident, whose striking quartet debut, Seeing You See is every bit as compelling as his work with his large ...

Keefe Jackson's Project Project: Just Like This

by Nic Jones
April 9, 2008

This one could almost be a working definition of what Delmark exists for, documenting as it does an aspect of Chicago's seemingly ever-evolving creative improvised music scene and in so doing giving further exposure to a group of musicians surely destined to make an impact far outside the city's environs.

If anything Jackson's writing for this large ensemble is even more telling than that of his work in smaller group contexts, hence from the off the galumphing “Dragon Fly" balances ...