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Jazz Articles about Ralph Alessi
Fire! Orchestra, Ralph Alessi, Ron Caines & Karl Evangelista
by Maurice Hogue
Putting this episode together was a most enjoyable time; there was so much to choose out of a whack of new releases with a few “memories" too. On the new release side, you'll hear music from The Netherlands (saxophonist Hristo Goleminov, guitarist Ella Zirina and Tale Tellers From A Timeless Tribe), English free jazz saxophonist Ron Caines with the Raines-Archer Axis, California guitarist Karl Evangelista, the great trumpeter Ralph Alessi, drummer Jochen Rueckert, and the eclectic and usually- unpredictable Fire! ...
read moreYelena Eckemoff: I Am a Stranger in This World
by Mark Sullivan
Russian-born pianist/composer Yelena Eckemoff began setting verses from the Bible's Book of Psalms shortly after her conversion to Christianity, even before her emigration to the United States. But she waited until she had considerable experience working with jazz musicians before producing her jazz arrangements. They were first recorded on her album Better Than Gold and Silver [L&H Production, 2018], which presented ten Psalm settings in both vocal and instrumental versions. The detailed story of how Yelena Eckemoff came to set ...
read moreFrancesca Han & Ralph Alessi: Exude
by Ian Patterson
The first duo recording from pianist Francesca Han and trumpeter Ralph Alessi has been a while coming, the pair first having met in New York in 2011. Shortly thereafter, Han left the Big Apple—closing the book on an eight-year sojourn--though not before recording the highly impressive Illusion (NatSat Music, 2012), which featured Alessi, Drew Gress, Corcoran Holt and Justin Brown. A decade on, Han and Alessi reunite on Exude. This joint effort is aptly named as neither holds back, though ...
read moreTomas Fujiwara's Triple Double: March
by Jerome Wilson
This is the second release by drummer and vibraphonist Tomas Fujiwara's unique double trio with himself and Gerald Cleaver on drums, Mary Halvorson and Brandon Seabrook on guitar and Taylor Ho Bynum and Ralph Alessi on brass, a group that can be configured as two trios, three pairs of instruments or something in between. The sound of the resulting combinations can come out ambient or raucous, but tends towards an angular prog-jazz fusion sound, that can pack the punch of ...
read moreTomas Fujiwara's Triple Double: March
by Mark Corroto
Drummer, composer and vibraphonist Tomas Fujiwara did not set out to rebut the saying “familiarity breeds contempt," but March from his sextet Triple Double does just that. His combination of three pairs of double instruments—guitarists Mary Halvorson and Brandon Seabrook, cornet/trumpets Taylor Ho Bynum and Ralph Alessi, plus double drummers Gerald Cleaver and Tomas Fujiwara himself—creates respect, the opposite of contempt. The harmonious and organic nature of this music, first heard on their self-titled debut album Triple Double (Firehouse 12, ...
read moreTomas Fujiwara's Triple Double: March
by Troy Dostert
Drummer Tomas Fujiwara's March, another offering from his Triple Double sextet, was recorded in December 2019, prior to the widespread racial unrest that followed the killings of George Floyd, Breonna Taylor, and many others in 2020. But it feels completely of a piece with those protests, with an unsettled anger and impatience that animate every moment of this absorbing album. Creating music that seems perfectly suited for a tumultuous age, Fujiwara's compositional instincts are spot-on, and he once again marshals ...
read moreTom Rainey Obbligato: Untucked In Hannover
by Dan McClenaghan
Tom Rainey Obbligato is drummer Rainey's jazz standards group. Untucked In Hannover is the first live album of a triptych. It follows Obbligato (2014) and Float Upstream (2017), both on Intakt Records. Great American Songbook tunes hammered and bent and stretched away from expectations into new shapes is the name of the game, an approach which runs parallel to that of Lee Konitz, especially the alto saxophonist's late career outings, including Live At the Blue Note (Half Note, 2012) and ...
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