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Jazz Articles about Lee Wiley

2
First Time I Saw

Lee Wiley

Read "Lee Wiley" reviewed by Carol Sloane


I was singing in the Big Room of an elegant club in New York City called The Blue Angel. One night after the show, I joined some friends in the Art Deco lounge and saw a sight I'll never forget: a woman, draped in sable, seated at one of the black leather upholstered banquettes, surrounded by five or six gentlemen in black tie. The men were clearly enchanted with this glamourous creature, lighting her cigarettes, pouring her champagne, laughing ever ...

3
Radio & Podcasts

Sweet And Low Down

Read "Sweet And Low Down" reviewed by Mary Foster Conklin


A two hour broadcast with new releases from the legendary Louis Armstrong and His All Stars, guitarists Amanda Monaco and Doug MacDonald, a single from Terri Lyne Carrington + Social Science and vocalists Claudia Villela and Kate Vargas, with birthday shout outs to George Gershwin, Lee Wiley (pictured) and Alison Wedding, among others. Also a preview of who is currently playing around town. Playlist Anne Sajdera “New Year" from New Year (Bijuri Records) 00:00 Sarah McKenzie “It's All ...

192
Album Review

Lee Wiley: Complete Fifties Studio Masters

Read "Complete Fifties Studio Masters" reviewed by Craig Jolley


Like most great ballad singers Lee Wiley was grounded in the blues. Not that blues monopolized her repertoire (There is only one blues among the 51 tunes in this two-CD set.), but her blues-informed phrasing and timing gave her music a depth beyond that of the let's-cut-to-the-chase cutie pies. Combined with her cool, sensual sound and tiny vibrato (This is where Peggy Lee came from.) she was the preferred singer of many contemporary jazz musicians. By the 1950's her voice ...

148
Album Review

Lee Wiley: Complete Fifties Studio Masters

Read "Complete Fifties Studio Masters" reviewed by Craig Jolley


Like most great ballad singers Lee Wiley was grounded in the blues. Not that blues monopolized her repertoire (There is only one blues among the 51 tunes in this two-CD set.), but her blues-informed phrasing and timing gave her music a depth beyond that of the let's-cut-to-the-chase cutie pies. Combined with her cool, sensual sound and tiny vibrato (This is where Peggy Lee came from.) she was the preferred singer of many contemporary jazz musicians. By the 1950's her voice ...


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