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Emi Ferguson: Amour Cruel
by Peter Jurew
Crossing musical borders is a risky business. Our culture loves certainty; the marketplace prefers easily distinguishable, homogenous categories. Whereas contemporary visual artists, at least since Rauschenberg, receive critical praise (and financial reward) for combining styles and materials previously thought to be discrete, contemporary musicians who cross boundaries put their reputations, and sometimes their careers, on the line. This is especially true of the musician who comes from the classical tradition and crosses over into pop, rock or jazz.
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