9

Choi Sun Bae: Arirang Fantasy

John Sharpe By

Sign in to view read count
Choi Sun Bae: Arirang Fantasy
A 1995 meeting in Tokyo between Korean and Japanese proponents of the art of free jazz furnishes another entry in the Chap Chap series of improvised encounters issued by the Lithuanian NoBusiness imprint. From Korea, Arirang Fantasy introduces trumpeter Choi Sun Bae, who also features alongside Japanese trumpeter Itaru Oki on Kami Fusen (NoBusiness, 2017), and celebrated percussionist Kim Dae Hwan, who was also a famous calligraphist, and performed with Butch Morris.

Completing the group are the Japanese bassist Motoharu Yoshizawa, who played with the likes of Evan Parker, Steve Lacy and Derek Bailey, and also featured in a series of duets with Barre Phillips on Oh My, Those Boys (NoBusiness, 2018) , and saxophonist Junji Hirose. Although billed as a quartet, they actually only all play together on the final cut which is preceded by two duos, a solo and a trio.

Both the trumpeter and saxophonist make extensive and musical use of extended techniques such as circular breathing. When not operating at the spluttery extremes, Bae inclines towards downbeat lyricism, and it's the contrast this offers when compared to his colleagues' more adventurous textures which gives the date part of its distinctive character. That can be heard immediately on the opening cut in a conversational duet with the woody sound of Yoshizawa's vertical electric bass. Although it's unclear if all the tracks are improvisations or whether there are some compositions, they are certainly on the same wavelength, particularly when Yoshizawa's hard-edged arco shadows Bae's plaintive trumpet.

It can also be heard on "Remember Bird" on which Hirose on tenor enters alongside Bae for a dirge-like canon in which they intertwine alluringly around a beautiful, regretful melody. But after five minutes they abruptly switch to a fractious exchange of staccato squawking. Then as Hirose continues his yelping tirade, Bae lays down a long unbroken folky line which the reedman eventually doubles. Structure on-the-fly or predetermined? Whatever it results in a wonderful listening experience.

Both bassist and reedman join Bae on "Korea Fantasy" which unfolds into unruly horn dialogue with creaking arco bass. Again the structure is both novel and pleasing. As Yoshizawa's subterranean groans persist, the horns keep up an unbroken hum from which one or the other periodically erupts.

Hwan appears for the first time on the solo "The Stream Of Time." A photo in the CD booklet shows him standing behind a personalized percussion set up which partly explains the idiosyncratic linear rather than polyrhythmic flavor he brings to the date. His thudding drums take on a ceremonial air, similar to traditional Japanese taiko drumming.

It's not until the title cut that the foursome unites for a piece notable for its sudden shifts in dynamics. In the midst of bass modulated with electronics, darting and droning saxophone and a thumping beat which doesn't swing, Bae plays what might be mistaken for a gospel air. Saxophone and trumpet take turns to loosely maintain that mournful undercurrent until the interchange peaks, before subsiding to ethereal gasps.

Non-Western elements combine with more recognizable aspects of the free jazz tradition to create this unusual and engaging session.

Track Listing

Blue Sky; Remember Bird; The Stream Of Time; Korea Fantasy; Arirang Fantasy.

Personnel

Choi Sun Bae: trumpet; Junji Hirose: tenor and soprano saxophones; Motoharu Yoshizawa: electric vertical five string bass; Kim Dae Hwan: percussion.

Album information

Title: Arirang Fantasy | Year Released: 2019 | Record Label: NoBusiness Records

Post a comment about this album

Tags

Shop Amazon

More

Read Alex Moxon Quartet
Alex Moxon Quartet
Alex Moxon Quartet
Read I Went This Way
I Went This Way
Rachel Musson
Read HH
HH
Lionel Loueke
Read Secrets & Lies
Secrets & Lies
Jakko M. Jakszyk
Read Dominos
Dominos
Chuck Anderson
Read Ceremonie / Musique
Ceremonie / Musique
What Happens In A Year

All About Jazz needs your support

Donate
All About Jazz & Jazz Near You were built to promote jazz music: both recorded and live events. We rely primarily on venues, festivals and musicians to promote their events through our platform. With club closures, shelter in place and an uncertain future, we've pivoted our platform to collect, promote and broadcast livestream concerts to support our jazz musician friends. This is a significant but neccesary effort that will help musicians now, and in the future. You can help offset the cost of this essential undertaking by making a donation today. In return, we'll deliver an ad-free experience (which includes hiding the bottom right video ad). Thank you.

Get more of a good thing

Our weekly newsletter highlights our top stories and includes your local jazz events calendar.