Pete Christlieb/Warne Marsh Quintet: Apogee

Christleib “worked the saxophone” in “Deacon Blues” for Steely Dan on its pop breakthrough, Aja ; co-leaders Walter Becker and Donald Fagen returned the favor by contributing “Rapunzel” and producing Apogee. Levy recalls: “Without their juice, the record would have never come out on a major label. They were hip patrons.”

It is impossible to distinguish one man’s tenor from the other: sometimes they swing in unison, sometimes harmonizing, sometimes in duet or counterpunching, but they are always strong, meaty and powerful. They play as if musically ravenous, with pianist Levy somehow managing to feed them chords to gnaw on while the bass and drum rock on. Charlie Parker’s “Donna Lee” sure sounds like a spirited ol’ gal, especially when she dances and twirls with Levy, who takes other sparkling solo turns in “I’m Old Fashioned,” “317 E. 32nd” by Lennie Tristano (Marsh’s mentor) and “Rapunzel.”

An old-fashioned cutting contest complete with a frantic saxophone “chase scene,” “Tenors of the Time” is taken at an almost ridiculous, blistering tempo, and from the band’s collective energy and intelligence turns into music quite timeless.

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