Home » Jazz Articles » Album Review » Gene Ammons: A Stranger In Town

Gene Ammons: A Stranger In Town

By C. Andrew Hovan
July 12, 2002
View read count

More so than other independent jazz labels such as Blue Note and Riverside, the powers to be at Prestige seemed to take great liberties in producing albums that would often contain cuts from multiple sessions, a discographical nightmare at its most basic. But even more troubling, this often made for a lack of coherence that could be disconcerting at times. What then made all of this worse was that the practice was often used with some of the label’s most important and visible artists.

The forgoing will hopefully put into perspective the circumstances surrounding the strange mélange that makes up the Gene Ammons compilation A Stranger In Town. Taken from no less than five recording sessions that span from 1954 to 1970, the 13 tracks assembled here originally appeared on the albums Velvet Soul, Sock!, and Night Lights. That’s the easy part; and then it gets confusing as you try to keep up with the rotating cast of characters on hand. A boisterous “The Song Is You” gets us started with some great small group charts provided by Oliver Nelson, only to give way to a spate of quartet performances that while solid are not particularly all that revelatory. The closing three tracks, particularly a tasty “Calypso Blues,” are the cream of the crop as Ammons' blustery attack gets bluesy support from the ubiquitous Wynton Kelly.

Personnel

Gene Ammons

saxophone, tenor

Album information

Title: A Stranger In Town | Year Released: 2002 | Record Label: Resonance Records

PREVIOUS / NEXT

Gafieira Moderna
< Previous

Delirium
Next >

Support All About Jazz

All About Jazz has been a pillar of jazz since 1995, championing it as an art form and, more importantly, supporting the musicians who make it. Our enduring commitment has made "AAJ" one of the most culturally important websites of its kind, read by hundreds of thousands of fans, musicians and industry figures every month.

Go Ad Free!

To maintain our platform while developing new means to foster jazz discovery and connectivity, we need your help. You can become a sustaining member for as little as $20 and in return, we'll immediately hide those pesky ads plus provide access to future articles for a full year. This winning combination vastly improves your AAJ experience and allow us to vigorously build on the pioneering work we first started in 1995. So enjoy an ad-free AAJ experience and help us remain a positive beacon for jazz by making a donation today.