Home » Jazz Articles » Album Review » Medeski, Martin and Wood: Zaebos: The Book of Angels Vol. 11

486

Medeski, Martin and Wood: Zaebos: The Book of Angels Vol. 11

By

View read count
Medeski, Martin and Wood: Zaebos: The Book of Angels Vol. 11
Master improvisers that they are, Medeski, Martin and Wood nevertheless do nothing without purpose. Their participation in John Zorn's Masada Series is just such a decisive action.

Zaebos: The Book of Angels Vol. 11 was recorded in January and March of 2008, just prior to MMW's announcement of its year-long project dubbed "The Radiolarian Series" (whereby the group would compose, play live, then record three different batches of new original material). Thus, to take part in Zorn's exploration of his musical heritage, while not wholly unlike what the trio does on its own, nevertheless affords a certain healthy detachment from a musical endeavor, before becoming immersed wholly in an ambitious one of its own.

Introduced by an unusually aggressive burst of Billy Martin's drums, then rumbling bass from Chris Wood, John Medeski enters the fray on "Zagzagel" with a squalling electric keyboard. It's as if the trio is freed from the expectations of its own music and its own audience, and happily succumbs to a desire to break free on its own terms. To luxuriate in the exotic tranquility of "Sefrial," its vaguely Eastern melody line floating like a smoke ring while the rhythm section hypnotizes, is just such a sublime moment.

Not surprisingly, Zaebos ebbs and flows like a high-quality MMW live set, including customary drum breaks like the one on "Ahaii" that, as usual, thrust the group further into its own momentum. Having simmered a time, the music reaches a boiling point on "Rifion," before the band brings it back to a median heat. They proceed to cook in tandem, with keyboards (primarily organ) intersecting with rim shots and taut bass lines.

The faint whisper of percussion on "Chafriel" slips into an enticing mini-groove accentuated with electric piano, while "Vianuel" finds the trio twisting and turning, yet always moving forward—a description of its career path if there ever was one. This is the free thinking and playing that brought the trio into John Zorn's Masada family back in the formative early 1990s. It's remarkable that their imagination remains vigorous and ripe with ideas, after some twenty years at work together, and on solo jaunts that no doubt enliven their own three-way chemistry.

Medeski, Martin and Wood push the envelope of avant-garde, yet it's their grasp of jazz traditionalism, on exhibit within the acoustic piano intervals here, that sets their adventurous streak in sharp relief. Heady as this music is, the band itself sounds free and loose, even at a low volume. "Jeudthun" seems a non sequitur, but also reminds how this album, unlike End of the World Party (Just in Case) (Blue Note, 2004), is comparatively free of treatments and production effects. That said, is that really a bowed double-bass on "Malach Ha-sopher"?

And does this fairly standard-length CD have a killer ending on "Tutrusa'i"? The fairly formless motif takes shape as an after-hours club theme song, its ruminations anything but sentimental and soft. Instead, it's pointed and quietly propulsive and progressive—another microcosm of the MMW oeuvre.

Track Listing

Zagzagel; Sefrial; Agmatia; Rifion; Chafriel; Ahaij; Asaliah; Vianuel; Jeduthun; Malach ha-Sopher; Tutrusa'i.

Personnel

Medeski Martin & Wood
band / ensemble / orchestra

John Medeski: keyboards; Chris Wood: bass; Billy Martin: drums.

Album information

Title: Zaebos: Book of Angels, Vol. 11 | Year Released: 2008 | Record Label: Tzadik

Tags

Comments


PREVIOUS / NEXT




Support All About Jazz

Get the Jazz Near You newsletter All About Jazz has been a pillar of jazz since 1995, championing it as an art form and, more importantly, supporting the musicians who make it. Our enduring commitment has made "AAJ" one of the most culturally important websites of its kind, read by hundreds of thousands of fans, musicians and industry figures every month.

Go Ad Free!

To maintain our platform while developing new means to foster jazz discovery and connectivity, we need your help. You can become a sustaining member for as little as $20 and in return, we'll immediately hide those pesky ads plus provide access to future articles for a full year. This winning combination vastly improves your AAJ experience and allow us to vigorously build on the pioneering work we first started in 1995. So enjoy an ad-free AAJ experience and help us remain a positive beacon for jazz by making a donation today.

More

Eternal Moments
Yoko Yates
From "The Hellhole"
Marshall Crenshaw
Tramonto
John Taylor

Popular

Old Home/New Home
The Brian Martin Big Band
My Ideal
Sam Dillon
Ecliptic
Shifa شفاء - Rachel Musson, Pat Thomas, Mark Sanders
Lado B Brazilian Project 2
Catina DeLuna & Otmaro Ruíz

Get more of a good thing!

Our weekly newsletter highlights our top stories, our special offers, and upcoming jazz events near you.

Install All About Jazz

iOS Instructions:

To install this app, follow these steps:

All About Jazz would like to send you notifications

Notifications include timely alerts to content of interest, such as articles, reviews, new features, and more. These can be configured in Settings.