The Billy Dechand Band provides an alternative to Alternative Rock. This guitar, bass, and drums trio also excels as a multitasking unit. Guitarists Billy Dechand and Vito di Bona share vocal duties, while the former also handles keys and bass. Drummer/percussionist Mike Yanoski operates the rhythms amid these concisely organized pieces with sociopolitical musings. The band augments its sound with accordionist Jay Cartwright, clarinetist Nancy Fiator, and others. The entire production clocks in at thirty-four and one-half minutes.
The group melds an element of folksiness via a verse/chorus stratagem atop simple crunch chords and a few unexpected time changes as they occasionally skirt the fringes of progressive rock. On the piece "The Emperor Has No Votes," the band enlists three folks who chant, "hip, hip, hooray!" subsequent to the vocalists' bubbly and altogether lighthearted choruses. Besides the straight-ahead rockers and psychedelic riffs, they also toss in a few countrified, Southern Rock motifs here and there. Yet, some of these pieces fail to impart a lasting impression, although the group's approach is miles ahead of a large portion of the rubbish on present-day rock radio.
I love jazz because it's sophisticated, international, atmospheric yet free, cool and warm.
I was first exposed to jazz through the sultry voice and flawless swing of my mother.
I met Mark Murphy, David Linx, Kurt Elling, and Youn Sun Nah.
The best show I ever attended was Youn Sun Nah in Paris.
The first jazz record I bought was Native Dancer by Wayne Shorter and Milton Nascimento
My advice to new listeners: open your mind and your ears, forget about structure, feel the textures.
Go see live music and keep buying CDs!