The album has a strange title. Intended to attract attention, no doubt. And obviously taken from the same, familiar catch phrase that was used as the title of a recent motion picture. No matter. Whatdoesmatter is the powerful sense of excitement that comes from this live session. The foursome (a piano trio with guest guitarist) drives straight ahead. While there are no Monk compositions on the program, it is designed to explain the mainstream in no uncertain terms. Henry Mancini, Jerome Kern, Cole Porter, Miles Davis... they represent the backbone of thousands of straight-ahead sessions over the years. Guitar and piano share the solo microphone. A Spanish classical tinge creeps into Chuck Marohnic's original "Unformed People," perhaps as a result of the somber nature of his compositional topic: abortion. Another original borrows the chord changes from "All the Things You Are." The quartet burns strong with this familiar chestnut, and swings in unexpected directions. Dom Moio turns out a creative session, particularly when trading fours. Both guitar and piano perform with fluid clarity and seamless phrasing. Their similarities of style are particularly noticeable on "Dream Dancing," which they perform as a duo. Steve Swallow's "Peau Douce" offers a simple linear landscape, while "Celeste" sparks with numerous three-dimensional phrases from the unexpected. Smooth, mainstream, and articulate. And yet, this foursome swings in a surprisingly hip manner.
Track Listing
Nardis; Dreamsville; Unformed People; Some of These Things; Nobody Else but Me; Dream Dancing; Peau Douce; Celeste.
All About Jazz has been a pillar of jazz since 1995, championing it as an art form and, more importantly, supporting the musicians who create it. Our enduring commitment has made "AAJ" one of the most culturally important websites of its kind, read by hundreds of thousands of fans, musicians and industry figures every month.
You Can Help
To expand our coverage even further and develop new means to foster jazz discovery and connectivity we need your help. You can become a sustaining member for a modest $20 and in return, we'll immediately hide those pesky ads plus provide access to future articles for a full year. This winning combination will vastly improve your AAJ experience and allow us to vigorously build on the pioneering work we first started in 1995. So enjoy an ad-free AAJ experience and help us remain a positive beacon for jazz by making a donation today.
We sent a confirmation message to . Look for it, then click the link to activate your account. If you don’t see the email in your inbox, check your spam, bulk or promotions folder.
Jim Santella has been contributing CD reviews, concert reviews and DVD reviews to AAJ since 1997. His work has also appeared in Southland Blues,The L.A. Jazz Scene, and Cadence Magazine.