Home » Jazz Articles » Album Review » The Bob Florence Limited Edition: Whatever Bubbles Up

The Bob Florence Limited Edition: Whatever Bubbles Up

By C. Michael Bailey
July 25, 2003
Sign in to view read count

The Bob Florence Limited Edition: Whatever Bubbles Up

Summit Records is steadily building a reputation as a solid big band label, with notable recent releases from the Jazz Orchestra of the Delta , the Mike Vax Big Band , and the Les DeMerle Band . Whatever Bubbles Up showcases Grammy-Award Winning composer/arranger Bob Florence leading his big band, Limited Edition. Limited Edition is high on high brass. The repertoire is Florence's own with the exception of a beautifully rendered "Chelsea Bridge."

"Dukism" is what one would expect, a lengthy guitar introduction over the standard rhythm section of drums and bass. The band approaches slowly, insinuating itself into the intimacy of the trio before exploding. The remainder consists of twelve minutes of riff-based big band, intricately composed and performed. "Never Endings" and "Running With Scissors" also sport this same jaunty style, with brash trumpet and trombone solos and Florence's understated piano. A superb big band outing.

For more information, see Summit Records .

Track Listing

Dukisms; Nerve Endings; Chelsea Bridge; Running With Scissors; Kissing Bug; Never Let Me Go; Q & A; Whatever Bubbles Up.

Personnel

Bob Florence

piano

Bob Florence?Piano, Composer, Arranger, Conductor; Wayne Bergeron, George Graham; Mike Mcgriffey; Ron Stout; Steve Huffsteter; Carl Sanders?Trumpets; Charlie Loper, Alex Isles, Bob McChesney?Trombones; Bryant Byers?Bass Trombone; Kim Richmond; Don Shelton, Jeff Driskill, Tom Peterson, Bob Efford, Bar Carr--Woodwinds; Larry Koonse?Guitar; Trey Henry?Bass; Dick Weller?Drums.

Album information

Title: Whatever Bubbles Up | Year Released: 2003 | Record Label: Unknown label

< Previous
God's Got It

Next >
Cruisin w/Moxie

Comments

About Bob Florence

Instrument: Piano

Tags

For the Love of Jazz

All About Jazz has been a pillar of jazz since 1995, championing it as an art form and, more importantly, supporting the musicians who create it. Our enduring commitment has made "AAJ" one of the most culturally important websites of its kind, read by hundreds of thousands of fans, musicians and industry figures every month.

You Can Help

To expand our coverage even further and develop new means to foster jazz discovery and connectivity we need your help. You can become a sustaining member for a modest $20 and in return, we'll immediately hide those pesky ads plus provide access to future articles for a full year. This winning combination will vastly improve your AAJ experience and allow us to vigorously build on the pioneering work we first started in 1995. So enjoy an ad-free AAJ experience and help us remain a positive beacon for jazz by making a donation today.